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WORMWOOD

Though it begins as a byproduct of vampire romance for teens, Nevins’ novel dives into a journey befitting its laudable...

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Love, catastrophe and angels at war, all in the face of Armageddon.

On her morning hike, the ground shudders beneath Kali and she witnesses spewing lava. Standing over the destruction is a man, Tiamat, whom she’d encountered a decade ago. Tiamat is a half-angel, and he and his legion, known as Nephilim, have triggered an apocalypse. Though the half-angel is responsible for the death of millions, including Kali’s beloved father, the woman is inexplicably drawn to Tiamat, such that the first third of the novel feels like a variation on Stephenie Meyer’s Twilight series; the reluctant angel, a forbidden love with a human and persistent reminders of Taimat’s handsome features (expansion of his wings results in a loss of his shirt). Conversations between Kali and Tiamat become Q&A sessions as Kali questions God’s reason for the end of the world and Tiamat is frustratingly unresponsive—though his motive for saving Kali from death is clear. The romance initially overwhelms the story, with Tiamat constantly apologizing for his actions and Kali seemingly more disconcerted over the angel’s apparent rejection of her advances or attempts to comfort him than over her planet in ruin. When the two leads separate, however, the novel shifts to an adventure—Kali’s epic trek across the wasteland. She meets other survivors, acquires some talents from her time with celestial beings (augmented strength and an ability to make the apocalyptic world’s pungent water drinkable) and has a confrontation with a fallen angel, an effectual character whose villainy is proficiently depicted—casually stepping on and crushing the hand of a dying woman. The author refuses to shy away from the story’s divine components, comparing a half-angel to a TV evangelist and the same creature quoting biblical verse while mercilessly beating Kali. Perhaps most revealing is the angelic (and romantic) lead gradually becoming unreliable, as the reader learns his true name and its meaning. Kali is an unyielding protagonist, more than capable with a crossbow and whose resilience makes her the highlight of the book.

Though it begins as a byproduct of vampire romance for teens, Nevins’ novel dives into a journey befitting its laudable female protagonist—a novel that happily approaches its religious overtone with zeal and no reservations.

Pub Date: Sept. 20, 2011

ISBN: 978-0987761200

Page Count: 331

Publisher: Black Wraith

Review Posted Online: Oct. 19, 2011

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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