by Dian Curtis Regan & illustrated by Dee Huxley ‧ RELEASE DATE: May 1, 2003
A baby leaves home in search of adventure in Regan’s country-tinged tale. “I was born in the middle of a marigold patch on a farm outside Rosedale,” says the baby, named Chance on account of his timing. But itchy diapers, mushy food, and twice-daily baths aren’t his thing. Rendered in chalk pastels and colored pencils, Huxley’s full-bleed spreads picture Chance as he strides confidently into the foreground, blankie, rattle, and stuffed animal in tow. The earth curves beneath him, suggesting unlimited opportunity. In his travels Chance meets many animals each of whom offers tools for living. A bear, for example, shows him “how to find the ripest blueberries in the purest streams.” Sea lions teach him to “swim and . . . bark in complete sentences.” Huxley’s dark palette gives these encounters a mysterious aura. But her fluid shapes and humorous touches keep the mood playful. The fact that Chance keeps in contact with his family the entire time makes it safe, too. Huxley’s color scheme turns radiant, brimming with peach, yellow, and the freshest green, whenever Chance’s parents are on the scene. An original for independent thinkers. (Picture book. 3-7)
Pub Date: May 1, 2003
ISBN: 0-399-23592-2
Page Count: 32
Publisher: Philomel
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2003
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by Dian Curtis Regan ; illustrated by Robert Neubecker
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by Dian Curtis Regan ; illustrated by Robert Neubecker
by George Shannon ; illustrated by Blanca Gómez ‧ RELEASE DATE: May 26, 2015
A visually striking, engaging picture book that sends the message that everyone counts.
A playful counting book also acts as a celebration of family and human diversity.
Shannon’s text is delivered in spare, rhythmic, lilting verse that begins with one and counts up to 10 as it presents different groupings of things and people in individual families, always emphasizing the unitary nature of each combination. “One is six. One line of laundry. One butterfly’s legs. One family.” Gomez’s richly colored pictures clarify and expand on all that the text lists: For “six,” a picture showing six members of a multigenerational family of color includes a line of laundry with six items hanging from it outside of their windows, as well as the painting of a six-legged butterfly that a child in the family is creating. While text never directs the art to depict diverse individuals and family constellations, Gomez does just this in her illustrations. Interracial families are included, as are depictions of men with their arms around each other, and a Sikh man wearing a turban. This inclusive spirit supports the text’s culminating assertion that “One is one and everyone. One earth. One world. One family.”
A visually striking, engaging picture book that sends the message that everyone counts. (Picture book. 3-6)Pub Date: May 26, 2015
ISBN: 978-0-374-30003-6
Page Count: 32
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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by George Shannon ; illustrated by Jennifer K. Mann
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by George Shannon ; illustrated by Mark Fearing
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by Sam McBratney ; illustrated by Anita Jeram ‧ RELEASE DATE: Sept. 13, 2011
The book is available in just about every format--but this is the perfect one.
It's hard to believe that a pop-up wasn't the creators' original intention, so seamlessly do moveable parts dovetail into this modern classic's storyline.
In contrast to the tale's 1998 pop -up version, the figures here move on every page, and with an unusually graceful naturalism to boot. From pulling down Big Nutbrown Hare's ears on the opening spread to make sure he's listening to drowsily turning his head to accept a final good-night kiss in a multi-leveled pull-down tableau at the close, all of Little Nutbrown Hare's hops, stretches and small gestures serve the poetically spare text—as do Big Nutbrown's wider, higher responses to his charge's challenges. As readers turn a flap to read Big Nutbrown's "But I love you this much," his arms extend to demonstrate. The emotional connection between the two hares is clearer than ever in Jeram's peaceful, restrained outdoor scenes, which are slightly larger than those in the trade edition, and the closing scene is made even more intimate by hiding the closing line ("I love you right up to the moon—and back") until an inconspicuous flap is opened up.
The book is available in just about every format--but this is the perfect one. (Pop-up picture book. 3-6)Pub Date: Sept. 13, 2011
ISBN: 978-0-7636-5378-1
Page Count: 16
Publisher: Candlewick
Review Posted Online: Sept. 21, 2020
Kirkus Reviews Issue: Nov. 1, 2011
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by Sam McBratney ; illustrated by Linda Ólafsdóttir
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by Sam McBratney ; illustrated by Anita Jeram
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by Sam McBratney ; illustrated by Anita Jeram
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