Gracefully celebrates both a little-known culture and its beloved birds.

CRANE BOY

The black-necked cranes that return to Kinga’s village in Bhutan each winter inspire the schoolboy to convince his classmates and the local monks to create a festival in their honor.

This imagined re-creation of the origin of the annual Crane Festival in the Phobjika Valley, a modern celebration and occasion for environmental education, makes a nice connection to children anywhere who love the natural world. Kinga and his classmates are excited to see the cranes arriving outside their schoolroom window. Their teacher builds on their enthusiasm by taking them to a sanctuary to learn more about the birds, whose numbers are dwindling. This inspires Kinga to suggest the festival. They ask the monks, who sponsor the community’s sacred dances, to help them compose and perform a dance of their own that emulates the movements of the elegant birds. Cohn weaves numerous details about Bhutanese life and culture into her smoothly told story; Youme adds even more with watercolor images in a naïve style that nicely matches Kinga’s present-tense narration. A three-generational family dinnertime scene is especially appealing. Interspersed are images of Bhutanese prayer flags and crane drawings made by schoolchildren during the author and illustrator’s visit to that country. The story ends with further information, a map, and photographs.

Gracefully celebrates both a little-known culture and its beloved birds. (Informational picture book. 6-9)

Pub Date: Oct. 6, 2015

ISBN: 978-1-941026-16-8

Page Count: 40

Publisher: Cinco Puntos Press

Review Posted Online: Aug. 26, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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Readers who (inexplicably) find David Lawrence’s Pickle and Penguin (2004) just too weird may settle in more comfortably...

LOST AND FOUND

A lad finds a penguin on his doorstep and resolutely sets out to return it in this briefly told import. 

Eventually, he ends up rowing it all the way back to Antarctica, braving waves and storms, filling in the time by telling it stories. But then, feeling lonely after he drops his silent charge off, he belatedly realizes that it was probably lonely too, and turns back to find it. Seeing Jeffers’s small, distant figures in wide, simply brushed land- and sea-scapes, young viewers will probably cotton to the penguin’s feelings before the boy himself does—but all’s well that ends well, and the reunited companions are last seen adrift together in the wide blue sea. 

Readers who (inexplicably) find David Lawrence’s Pickle and Penguin (2004) just too weird may settle in more comfortably with this—slightly—less offbeat friendship tale. (Picture book. 6-8)

Pub Date: Jan. 1, 2006

ISBN: 0-399-24503-0

Page Count: 32

Publisher: Philomel

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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