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TRIPLE DESTINY

An often compelling, if occasionally confusing, tale of star-crossed lovers and the child who brings them together.

A bewitching debut supernatural romance about a mother, her lost daughter and a kind stranger.

Dance teacher Catherine Scanlon’s love for creative movement is one of the many things that bond her to her daughter, a 6-year-old charmer named Katie. Catherine’s grace, in fact, may be the only thing saving her from succumbing to her troubles with her husband, Luke. The abusive relationship, spurred on by Luke’s frustrations and constant drinking, tears at Katie, who has frequent nightmares about dying. After a series of unfortunate events, Luke accidentally kills young Katie in a devastating car crash. While grieving, Catherine meets a stranger, Dr. Nick Kontos—thanks to Katie’s intervention from beyond. Their romance is hardly easy: Catherine runs away, Luke runs after Catherine, and Nick runs from an old flame—his co-worker, Lexi—and his own confusion. The love triangle eventually even crosses international boundaries. Yet when Katie’s prodding brings Nick and Catherine together once more, their reunion weaves the tangled threads of this complex story together. Colson shows her prowess as a screenwriter throughout her debut, displaying impressive dialogue skills that keep the unusual love story moving forward: “ ‘We all were unhappy then, and drowning our sorrows in lust and liquor.’ ‘Best damned way to drown sorrows.’ ” However, the characters’ snappy exchanges are undermined by too-short chapters, a choppy plot and several underdeveloped characters, including Luke. That said, there is great potential here, and Colson shows an impressive talent that will be worth watching.

An often compelling, if occasionally confusing, tale of star-crossed lovers and the child who brings them together.

Pub Date: May 31, 2013

ISBN: 978-1458209047

Page Count: 238

Publisher: AbbottPress

Review Posted Online: Oct. 1, 2013

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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