A sprightly, winning historical novel about an unexpected romance—between a young woman and her own power.



Set in Gilded Age New England, Forbes’ debut novel follows teenage Penelope Stanton as she struggles through dubious attachments and financial ruin to become a suffragist leader.

“Imagine being sent to a party with a gun pointed at your head.” In 17-year-old Penelope’s case, the gun is metaphorical but a burden all the same—her father’s bank has suffered huge losses during the Panic of 1893, and her erstwhile fiance, Sam Haven, has cut her dead because of it. Penelope’s mother is determined to marry her off quickly to save the family’s fortunes. But instead of meeting an eligible bachelor, Penelope falls for rakish, married Edgar Daggers, whose stolen kisses turn her into “ice cream melting.” She has just enough willpower to resist becoming Edgar’s “personal secretary” in New York and flees to Boston with her best friend Lucinda, who wants to “join forces with the women who seek to improve the lives of women.” Through Lucinda, Penelope meets bloomer-wearing activist Verdana Jones. She shocks Verdana—and herself!—by cogently defending “Irrational Dress,” saying that “corsets and petticoats offer some structure...in a world that unravels as I speak.” Verdana thinks they’re a great team, and soon Penelope finds herself caught up in the fledgling women’s rights movement, even as the tempting Edgar Daggers comes back into her life. What will win out in the end—clandestine love or Penelope’s desire for independence? A delight from beginning to end, Forbes’ novel is full of funny, authentic moments, like poor Penelope’s ignominious accident when she tries to ride a bicycle in skirts, and striking metaphors (“an uncomfortable silence loomed...thick as soda bread”). Forbes paints the smallest details of fin de siècle society—the pop music, the interior décor, the “Beecham’s Pills” Penelope takes for a hangover. In fact, the book feels like it was written at the time, reading like an alternate, feminist take on The House of Mirth’s “well-born lady in reduced circumstances” with a decidedly happier ending.

A sprightly, winning historical novel about an unexpected romance—between a young woman and her own power.

Pub Date: March 6, 2017

ISBN: 978-1-946409-07-2

Page Count: -

Publisher: Penmore Press

Review Posted Online: June 29, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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A strange, subtle, and haunting novel.

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A financier's Ponzi scheme unravels to disastrous effect, revealing the unexpected connections among a cast of disparate characters.

How did Vincent Smith fall overboard from a container ship near the coast of Mauritania, fathoms away from her former life as Jonathan Alkaitis' pretend trophy wife? In this long-anticipated follow-up to Station Eleven (2014), Mandel uses Vincent's disappearance to pick through the wreckage of Alkaitis' fraudulent investment scheme, which ripples through hundreds of lives. There's Paul, Vincent's half brother, a composer and addict in recovery; Olivia, an octogenarian painter who invested her retirement savings in Alkaitis' funds; Leon, a former consultant for a shipping company; and a chorus of office workers who enabled Alkaitis and are terrified of facing the consequences. Slowly, Mandel reveals how her characters struggle to align their stations in life with their visions for what they could be. For Vincent, the promise of transformation comes when she's offered a stint with Alkaitis in "the kingdom of money." Here, the rules of reality are different and time expands, allowing her to pursue video art others find pointless. For Alkaitis, reality itself is too much to bear. In his jail cell, he is confronted by the ghosts of his victims and escapes into "the counterlife," a soothing alternate reality in which he avoided punishment. It's in these dreamy sections that Mandel's ideas about guilt and responsibility, wealth and comfort, the real and the imagined, begin to cohere. At its heart, this is a ghost story in which every boundary is blurred, from the moral to the physical. How far will Alkaitis go to deny responsibility for his actions? And how quickly will his wealth corrupt the ambitions of those in proximity to it? In luminous prose, Mandel shows how easy it is to become caught in a web of unintended consequences and how disastrous it can be when such fragile bonds shatter under pressure.

A strange, subtle, and haunting novel.

Pub Date: March 24, 2020

ISBN: 978-0-525-52114-3

Page Count: 320

Publisher: Knopf

Review Posted Online: Nov. 25, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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