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PRETENDING TO DANCE

A prospective adoptive mother examines her past and her conscience prior to embarking on her parental journey.

Molly and her husband, Aidan, involuntarily childless attorneys in San Diego, are going through the fraught process of qualifying to adopt. Molly, 38, has a degree of trepidation about how “open” this adoption is expected to be: is the birth mother, Sienna, expecting to be part of her child’s life in perpetuity? Molly’s misgivings are understandable; she herself is the product of a family in which her birth mother, Amalia, lived close by, and she witnessed the discomfort such proximity created for her adoptive mother, Nora. Molly has not told her husband why she's now estranged from both Amalia, who's dying, and Nora—in fact, she's told him almost nothing about her past. The present narrative is interspersed with chapters flashing back 24 years to Morrison Ridge, a large tract of family-owned land in the wooded hills near Asheville, North Carolina: Molly is 14, living with her mother, Nora, and her father, Graham, a psychotherapist who has invented a new behavioral regimen, “Pretend Therapy.” Multiple sclerosis has left Graham paralyzed from the neck down. Molly is a bookish, precocious teen who types Graham’s manuscripts and accompanies him on book tours. However when she falls under the influence of a classmate, Stacy, who introduces her to older boys, the plot takes a major detour through teen-novel territory: Molly’s main preoccupation, enabled by a Judy Blume novel no less, is now losing her virginity. In the meantime, Graham and his relatives are wrangling over the fate of the Ridge: one faction wants to sell to a developer while others, including Molly’s grandmother and Graham, want to keep the land pristine. While the family argues and Molly’s hormones run wild, something else is going on that will make for the explosive revelation at novel’s end. Marred by excessive sentimentality and superfluous exposition that dilutes the drama.

 

Pub Date: Oct. 6, 2015

ISBN: 978-1-250-01074-2

Page Count: 352

Publisher: St. Martin's

Review Posted Online: July 14, 2015

Kirkus Reviews Issue: Aug. 1, 2015

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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