A lightweight tale with a supporting cast that’s more appealing than the heroine.
A New Yorker searches for a new boyfriend in Dunning’s (The River Secrets, 2013) novel.
Twenty-seven-year-old Greta Smart manages projects at Waxler & Braun in Manhattan after having relocated from the Midwest. Although she has a circle of devoted friends, she’s painfully aware of her lack of a significant other, especially when she compares herself with her pal Briana, a bartender, who no sooner breaks up with one boyfriend than she has another. One day, after a lengthy liquid lunch, Greta returns to work inebriated and pressured to quickly prepare a presentation. Things don’t go well, putting her on the outs with the client and her boss, and she loses the upper hand to a smarmy co-worker. Soon afterward, Greta meets the successful but self-satisfied Californian Henry Mann, who’s in town briefly for a convention, and she finds herself both drawn to and repelled by him. Since he’s not local, a future with him seems unlikely, but from time to time, she still thinks about him. When Greta’s beloved grandmother falls ill, she drives home to Michigan to visit with her father and brother and make peace with her prickly mother. Despite the book’s catchy title and snappy cover art, the text is afflicted by excessive telling and little showing. The most enjoyable passages are when those in Greta’s orbit take center stage, and readers may find that her thorny mother and easygoing friend Briana are more intriguing characters. Greta wonders why she’s a singleton, but her frequent dismissive, prejudicial assessments of others (“nerd,” “weirdo,” “clod”) may be one explanation. Instead of sharing in a friend’s happiness, she is “galled” and questions why people around her are better off than she is. Readers may be meant to glean that she has an aha moment while visiting her ailing Gran, but this emotional truth never quite hits the page.
A lightweight tale with a supporting cast that’s more appealing than the heroine.Pub Date: Dec. 31, 2013
ISBN: 978-0985038151
Page Count: 200
Publisher: CreateSpace
Review Posted Online: Feb. 4, 2014
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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