A short, masterful work about creative consciousness in the land.
A brilliant, artistically ambitious retelling of the familiar tale of the Shoshoni tribeswoman who accompanied Lewis and Clark.
Sacajawea’s story has been retold many times, notably in Anna Lee Waldo’s massive (over 1,400 pages) 1979 paperback, Sacajawea (a historical with a romantic subplot), and, more recently, in Brian Hall’s superb I Should Be Extremely Happy in Your Company (p. 1494). Now, prizewinning poet and novelist Glancy, of Cherokee and German-English descent, offers us instead a kind of spiritual take, grindingly gritty yet webbed with supernatural ghostbreath. We all know that Native Americans can scan and hear news from the Otherworld as easily as New Yorkers read the Times. Still, some may at first resist Glancy’s strategies, since she has once again, as in The Mask Maker (2002), adopted a distracting layout that has Sacajawea’s present-tense voice broken constantly by framed inserts from Lewis and Clark’s diaries, which bear upon the moment. Sacajawea herself, according to the grandmother who dreamed of finding a white stone shaped like a beaver, bears this white stone heart in her spirit—and she needs a rocklike heart to rise above the endless privations of the expedition, as when cottonwood trees grow so cold that water within makes them explode like cannonfire (a temperature of 45 below zero, Clark notes). Sacajawea, kidnapped by the Hidatasa tribe, was later sold and married to Canadian trapper Toussaint Charbonneau, who already had Otter Woman as a mate. Pregnant, Sacajawea feared she’d be left behind. Instead, she carried her son on her back through terrifying illnesses and dangers, her soothing songs to him getting her named Bird Woman. She is torn, wants to stay in her starving Shoshoni village when the explorers pass through it, but goes on to Oregon and the Pacific.
A short, masterful work about creative consciousness in the land.Pub Date: Feb. 17, 2003
ISBN: 1-58567-365-X
Page Count: 160
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2002
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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