Some tenacious police work, but the characterizations remain stale.

The Secondary Target

As a divorce attorney recovers from a brutal attack, an investigation reveals further complications in this romantic mystery/thriller.

Beth Scott, 31, is an up-and-coming divorce attorney in a prestigious New York City law firm. A Yale graduate who loves shopping and fashion, she works long hours to afford her brand-name lifestyle. Although she hasn’t got much time for relationships (she’s on a break with Michael Hudson, a fellow attorney who adores her), everything is going right—until she is stabbed and beaten in her own apartment. She wakes with no memory of the incident at first, but gains a new friend in her handsome doctor, Brandon Burton; after her release from the hospital, he drops by to give her personal checkups. The detectives investigating her attack follow several avenues, such as angry husbands of Beth’s divorce clients, or perhaps Victoria David, Beth’s friend who arrived awfully soon after the attack. Michael takes such loving care of Beth as she recovers that she reconsiders their break, and the romance rekindles: “There was no way she could let this amazing, empathetic man slip through her fingers.” Meanwhile, detectives uncover clues suggesting that Beth’s attack was a warning—a suspicion that’s confirmed by a mob hit on someone close to her that upends her newly won equilibrium. As the probe continues, Beth’s romantic life takes another turn, but there is still a shocking revelation to come. In her debut novel, Lynn draws on her experience as an emergency room and surgical nurse for descriptions of Beth’s treatment and recovery, which ring true. She also handles the mystery itself fairly well, with realistically dogged police work and mostly plausible red herrings. But Lynn’s characterizations make a simple-minded equivalence between appearance and worth: for example, Burton’s “compassion and concern” seem directly related to his being “strikingly handsome.” Victoria is suspected of romantic, possibly lesbian desperation because she’s “overweight, her hair unstyled,” and her features plain. Lynn also bogs down the book’s pace with much unnecessary detail, such as every word of minor phone conversations.

Some tenacious police work, but the characterizations remain stale.

Pub Date: Feb. 15, 2016

ISBN: 978-0-9970595-0-2

Page Count: 330

Publisher: Canta Bello Publishing

Review Posted Online: March 15, 2016

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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