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FINDING MY VOICE

A fetching, straightforward account of the struggles and successes of a respected radio personality. Rehm, host of an eponymous National Public Radio show, offers an intimate look into her childhood, marriage, career, and battle with a rare neurological disorder that has affected her speech and thus nearly destroyed her career. Scarred by a vitriolic mother who disciplined her both physically and with icy silence, Rehm suffered from low self-esteem and guilt. Raised in a traditional Arab-American household to be a dutiful mother and wife, she broke out of a brief, disappointing marriage and sought more independence in a second one. Motherhood besieged her with loneliness and overwhelming responsibility. While her husband was absorbed in his State Department work, Rehm found solace in playing the piano, sewing, and gardening. It was only when she volunteered at a local radio station that she blossomed and filled the intellectual void in her life. Eventually landing a job as a talk-show host, Rehm both found her voice and got to interview major figures like Hillary Rodham Clinton and Carl Sagan. Ironically, at the height of her career, she had to flit from doctor to doctor desperately seeking to identify the mysterious affliction ruining her voice. When it was finally diagnosed and treated, heroic rehabilitation work was required. Returning to host her show after months of absence, Rehm became a national spokesperson for spasmodic dysphonia, contending that her disability has given added meaning to her life. Now 62, she anticipates that an aging population “will welcome more mature voices on the air.” Though Rehm attributes her present emotional well-being and professional success largely to years of therapy, credit must be given to her sheer determination and intellectual vigor, readily evident here. Told with honesty and simplicity. An articulate and inspirational travelogue of one woman’s remarkable journey. (8 pages photos) (First printing of 50,000; author tour)

Pub Date: Sept. 9, 1999

ISBN: 0-375-40163-6

Page Count: 256

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1999

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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