Setterfield’s debut is enchanting Goth for the 21st century.
A dying writer bids a young bookshop assistant to write her biography.
Margaret Lea grew up in a household of mourning, but she never knew why until the day she opened a box of papers underneath her parent’s bed and found the birth and death certificates of a twin sister of whom she never knew. It is the coincidence of twins in the life of Vida Winter, Britain’s most famous writer, that convinces Margaret to leave her post at her father’s rare-books store and travel to the dying writer’s Yorkshire estate. There, she hears a story no one else knows: who Vida Winter really is. For decades, the author has wildly fabricated answers to personal questions in interviews. Now Vida wants to tell the true story. And what a story it is, replete with madness; incest; a pair of twins who speak a private language; a devastating fire; a ghost that opens doors and closes books; a baby abandoned on a doorstep in the rain; a page torn from a turn-of-the-century edition of Jane Eyre; a cake-baking gentle giant; skeletons; topiaries; blind housekeepers; and suicide. As the master storyteller nears death, Margaret has yet to understand why she is the one Vida chose to record her tale. And is it a tall tale? One last great fiction to leave for her reading public? Only Margaret, who begins to catch glimpses of her own dead twin in the eternal gloom of the Winter estate, can sort truth from longing and lies from guilt. Setterfield has crafted an homage to the romantic heroines of du Maurier, Collins and the Brontës. But this is no postmodern revision of the genre. It is a contemporary gothic tale whose excesses and occasional implausibility (Vida’s “brother” is the least convincing character) can be forgiven for the thrill of the storytelling.
Setterfield’s debut is enchanting Goth for the 21st century.Pub Date: Sept. 12, 2006
ISBN: 0-7432-9802-0
Page Count: 416
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2006
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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