by Diane Worthey ; illustrated by Morgana Wallace ‧ RELEASE DATE: Oct. 6, 2020
Ideal for girls with professional dreams of their own.
Women can’t conduct orchestras, they said, but Antonia Brico did.
Antonia Brico (1902-1989) ignored the advice of other musicians; she dreamed of being a conductor and eventually made a career of it, though she never achieved a full-time professional job. Cast out by her foster parents in high school, Brico put herself through college by playing the piano and reclaimed her birth name. A sponsor paid her way to Germany, where she became the first American to graduate from the conducting school at the Berlin State Academy of Music. She had guest-conducting jobs all over Europe but left to escape the Nazis. With the support of Eleanor Roosevelt, she formed a women’s professional orchestra in New York, which performed successfully, but New York wasn’t ready for a mixed-gender orchestra. Moving to Denver, she spent the rest of her life there, still guest-conducting all over, teaching piano, and serving as the regular conductor for a semiprofessional Denver orchestra eventually renamed the Brico Symphony. This straightforward biography of a woman who paved the way for today’s women conductors (still few in number) is the second in a promising series of titles about Amazing Women. The author performed under Brico’s baton as a teenager. Chronologically organized, attractively illustrated, carefully sourced, and accompanied by a helpful timeline, this also includes minibiographies of three other early female conductors as well as three from the present day.
Ideal for girls with professional dreams of their own. (Biography. 7-12)Pub Date: Oct. 6, 2020
ISBN: 978-1-73422-591-4
Page Count: 48
Publisher: Penny Candy
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
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by Meera Sriram ; illustrated by Ruchi Bakshi Sharma
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by Andrew Young & Paula Young Shelton ; illustrated by Gordon C. James ‧ RELEASE DATE: Aug. 2, 2022
A pivotal moment in a child’s life, at once stirring and authentically personal.
Before growing up to become a major figure in the civil rights movement, a boy finds a role model.
Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)
A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)Pub Date: Aug. 2, 2022
ISBN: 978-0-545-55465-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
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by Jordan Sonnenblick ; illustrated by Jordan Sonnenblick ‧ RELEASE DATE: Feb. 2, 2021
Though a bit loose around the edges, a charmer nevertheless.
Tales of a fourth grade ne’er-do-well.
It seems that young Jordan is stuck in a never-ending string of bad luck. Sure, no one’s perfect (except maybe goody-two-shoes William Feranek), but Jordan can’t seem to keep his attention focused on the task at hand. Try as he may, things always go a bit sideways, much to his educators’ chagrin. But Jordan promises himself that fourth grade will be different. As the year unfolds, it does prove to be different, but in a way Jordan couldn’t possibly have predicted. This humorous memoir perfectly captures the square-peg-in-a-round-hole feeling many kids feel and effectively heightens that feeling with comic situations and a splendid villain. Jordan’s teacher, Mrs. Fisher, makes an excellent foil, and the book’s 1970s setting allows for her cruelty to go beyond anything most contemporary readers could expect. Unfortunately, the story begins to run out of steam once Mrs. Fisher exits. Recollections spiral, losing their focus and leading to a more “then this happened” and less cause-and-effect structure. The anecdotes are all amusing and Jordan is an endearing protagonist, but the book comes dangerously close to wearing out its welcome with sheer repetitiveness. Thankfully, it ends on a high note, one pleasant and hopeful enough that readers will overlook some of the shabbier qualities. Jordan is White and Jewish while there is some diversity among his classmates; Mrs. Fisher is White.
Though a bit loose around the edges, a charmer nevertheless. (Memoir. 8-12)Pub Date: Feb. 2, 2021
ISBN: 978-1-338-64723-5
Page Count: 208
Publisher: Scholastic
Review Posted Online: Nov. 17, 2020
Kirkus Reviews Issue: Dec. 1, 2020
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