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RETURN TO THE OUTER BANKS HOUSE

Set between 1875 and ’76, Ducharme’s story—this being the sequel to The Outer Banks House (2010)—is about love and its many...

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A heartbreaking yet uplifting novel that explores the destruction and beauty of love.

Set between 1875 and ’76, Ducharme’s story—this being the sequel to The Outer Banks House (2010)—is about love and its many faces, from young and reckless to unrequited. Specifically, she explores the unlikely passion that forms between smart, affluent Abigail Sinclair and uneducated, penniless Benjamin Whimble. The people of this tightknit island community on the Outer Banks, off the coast of North Carolina, are connected by their collective poverty and abiding love for the sea. Outsiders are generally unwelcome. When Abigail’s family visits for a summer, she starts teaching Ben, her father’s fishing guide, how to read. His love for literature and for his teacher grows, and slowly he drifts away from longtime girlfriend, Eliza Dickens, eventually leaving her to marry Abigail. Although this new love is strong, tragedy tests it. Seven years later, the worst behind them, the couple picks through their past separately, putting together the pieces of themselves they lost along the way. Meanwhile, all these years later, plucky and independent Eliza has never fully recovered from losing Ben. She fights for his return and learns much more about herself in the process. Supporting characters, many with equally interesting lives, float in and out of the story as well. Ducharme beautifully shifts among love stories, weaving lives together. She also daftly expresses the tensions between economic classes. In her fog of love, Abigail joyfully leaves behind the security of her life at home so she can be with a man who could never financially provide for her in the ways she’s accustomed; only after the wedding does it hit her. “Words had failed us that night, and I’d welcomed the silence,” she thinks. “Words had escaped me the next morning as well but in a different way, when I came to realize that I was married to a fisherman for the rest of my days.”

Pub Date: Dec. 10, 2014

ISBN: 978-0692312926

Page Count: 418

Publisher: Kill Devil Publishing

Review Posted Online: Dec. 20, 2014

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LONESOME DOVE

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana.

The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense.

This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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