A highly recommended read that will make readers hope for a sequel.
A thriller that moves between Los Angeles luxury and war in the Middle East.
Williams’ (Waking Lazarus, 2016, etc.) novel opens with a rush as antiques auction-house owner and former presidential candidate Michael Hardeman frantically, and ultimately unsuccessfully, struggles to stop his Gulfstream jet from crashing into the Mojave Desert. Simultaneously, federal agents raid Hollywood, California–based Hardeman Auctions, seizing boxes of documents that might reveal a money-laundering scheme as well as other illegalities. Now that 24-year-old Chase Hardeman’s father is dead, he must deal with this investigation into the family business—an operation that pulls in hundreds of millions annually from a wealthy, A-list clientele. Helping Chase to get through these dark days are tech genius and billionaire Randall Collinsworth, whom he calls “Uncle Randy” although they’re not related; Chase’s girlfriend, Laney, who has “gunmetal blue eyes”;his best friend and fellow former soldier, Dax; and his ex-lover Elena Vihkrov, a Russian beauty. Both the crash and the raid have ties to Chase and Dax’s past activities in Mosul, where they purchased stolen antiquities from terrorist leader Abu Haji Fatima—“spoils of war” that eventually ended up at Hardeman Auctions. However, betrayal soon erodes Chase’s support system, and his life becomes as turbulent as his father’s doomed flight. Fatima’s right-hand man, Akram Kasim, and his crew pursue Chase in a nightclub, and although he escapes the venue, a bloodbath soon ensues. Williams delivers an exciting, well-executed thriller. The major characters occupy a grey area between good and bad; even Chase admits that he and his dad were mixed up with the wrong people: “I was no Boy Scout. Sins of a father and son—committed far more often than we ever admitted,” he reveals. The danger is palpable, and women get meaty roles as agents, terrorists, lovers, and combinations of the three. Conversations seem realistic, such as when Elena softly begs Chase to stay the night; after he says that he can’t, Elena smiles coyly and says, “She must be special.” If only Dax would call Chase “bro” slightly less often, the book would be near-perfect.
A highly recommended read that will make readers hope for a sequel.Pub Date: Feb. 25, 2019
ISBN: N/A
Page Count: -
Publisher: Forgotten Stories, LLC
Review Posted Online: Dec. 4, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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