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DEATH AND LOVE AT THE OLD SUMMER CAMP

A pleasant pastiche of teen sleuthing and coming-of-age gay romance.

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In Maggiore’s (Love and Lechery at Albert Hall, 2018, etc.) YA mystery, a teenager’s summer vacation takes an unpleasant turn when she and her best friend (and secret crush) uncover an old murder. 

In 1959, 15-year-old Pina Mazzini is staying in a forest cabin with her parents near an abandoned boys camp. While wandering the camp’s ruins, she suddenly has a disturbing vision of a bully taunting a younger boy that seems to end violently. She’s certain that she’s inherited her Sicilian grandmother’s ability to see the past and future, so she rushes to tell her friend Katie McGuilvry what she saw. They go in search of answers in the surrounding area; Katie finds a bone in the crafts cabin, she and Pina find a bloodstained shirt, and Pina and her father find a finger bone with a ring on it in a lake. Pina has more intense visions in which she sees teenage boys plotting the murder, and she eventually realizes that she and Katie are finding evidence of what might be a larger conspiracy. However, they can’t go to their parents about it, because Katie’s father might be involved; he went to that summer camp in his youth, and he has the same square tattoo as the boys in Pina’s visions. Then Katie’s father invites his old camp friends to visit. Meanwhile, Pina grapples with her romantic feelings toward Katie. Indeed, in this debut novel of a series, the narrative focuses mostly on the developing relationship between the two teens. The author’s tendency toward jokey dialogue can sometimes overwhelm the story, but the overall narrative effectively depicts their emotions of initial uncertainty and caring friendship. In the midst of this, however, the murder mystery doesn’t maintain very much of a sense of gravity, and the various clues all end up fitting together a bit too neatly. However, once Pina and Katie begin to see how the killing is connected to family members and friends, the book offers an engaging, suspenseful dynamic. 

A pleasant pastiche of teen sleuthing and coming-of-age gay romance.

Pub Date: July 1, 2017

ISBN: 978-1-943353-77-4

Page Count: 288

Publisher: Sapphire Books Publishing

Review Posted Online: June 1, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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