A luminous addition to novels about fathers and sons.
He’s no genius, but he’s hardly normal; a boy struggles with this quandary in this finely modulated second novel (The Mercury Visions of Louis Daguerre, 2006).
Nathan Nelson is an only child burdened by expectations of genius. The problem is not his high-minded but practical mother; it’s his father Samuel, a college physics professor in their Wisconsin town. Samuel has large ambitions of his own (he is looking for the ghost particle), but he takes Nathan’s mild precocity for genius. He subjects him to frequent math and science drills. For his tenth birthday in 1980, Samuel plans a surprise trip to California. Disneyland, hopes Nathan, but no such luck; they visit Samuel’s shrine, the Stanford Linear Accelerator. The fact is Samuel, while trying to do the best by his son, is clueless about kids and has no people skills. A crisis erupts at the seventh-grade science fair when Nathan, seeing the rest of his childhood gobbled up by similarly dreary events, deliberately flubs the championship question and gains a respite. This is where an interesting novel becomes even more so. Nathan’s grandfather, drunk, causes a deadly highway accident. The old man dies; after a brief near-death experience, Nathan emerges from a coma to find he has synesthesia—some sensory boundaries have dissolved; words have colors and tastes; he can perform astonishing feats of memory; his father’s hopes of genius surge back. Nathan attends an Institute for the unusually gifted, but again he disappoints his dad, who will soon learn he has an inoperable brain tumor. There are moving scenes before and after his death as Nathan realizes that behind his difficult exterior, Samuel did harbor unconditional love for him. There are also plenty of lighter moments, and the unerringly true dialogue is a delight; one dinner-table conversation of a “normal” family, eavesdropped on by Nathan, deserves to be anthologized.
A luminous addition to novels about fathers and sons.Pub Date: June 5, 2007
ISBN: 978-0-7432-7123-3
Page Count: 336
Publisher: Atria
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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