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BUTTERFLY WEED

Inspired, playful storytelling from one of our most consistently original (and impish) novelists (Ekaterina, 1993, etc.), who now returns to his Ozark version of Shangri-la—the village of Stay More, a place hard to find but infinitely harder to leave. Harington's series of novels about this fictional Arkansas community (The Choiring of the Trees, 1991, etc.) and its eccentric population (``Stay Morons'') has been distinguished by an idiosyncratic blend of lovingly rendered detail (on the language, beliefs, and history of southern mountain life) and wild fantasy. This latest installment, a history of the complex love life and remarkable medical achievements of Doc Colvin Swain, Stay More's ``dreaming Doctor,'' is no different: The title derives from an incident in which a chaste young woman, fleeing an unwanted suitor, is rumored to have turned herself into a butterfly, or a flower, to escape. While the bawdy record of Swain's affairs is at the heart of Harington's crowded, exuberant story, we also get a robust portrait of the doctor's special gifts, his patients, and his times (from the end of the 19th century to the 1950s). Apprenticed as a young boy to a hill doctor, he learns to use both a wide range of herbal remedies and conventional cures. But what really sets him apart is his trancelike ability to visit his patients at night, in their dreams, and to treat them successfully on some nocturnal astral plane. The most painful irony of Swain's career is that beautiful, beloved Tenny (Tennessee), the true love of his life, is the one patient he can't save. She dies, horribly, of tuberculosis. But, this being Stay More, she lingers on as a spirit, watching over Doc, waiting for him. Such material would evaporate in the hands of a lesser novelist. But Harington, an ingenious, wise storyteller and a sly stylist, able to catch the tang and vigor of the spoken word, makes Doc and the other inhabitants of Stay More seem as real as the mountains they inhabit—and also as mysteriously timeless.

Pub Date: May 10, 1996

ISBN: 0-15-100164-2

Page Count: 368

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1996

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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