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BUTTERFLY WEED

Inspired, playful storytelling from one of our most consistently original (and impish) novelists (Ekaterina, 1993, etc.), who now returns to his Ozark version of Shangri-la—the village of Stay More, a place hard to find but infinitely harder to leave. Harington's series of novels about this fictional Arkansas community (The Choiring of the Trees, 1991, etc.) and its eccentric population (``Stay Morons'') has been distinguished by an idiosyncratic blend of lovingly rendered detail (on the language, beliefs, and history of southern mountain life) and wild fantasy. This latest installment, a history of the complex love life and remarkable medical achievements of Doc Colvin Swain, Stay More's ``dreaming Doctor,'' is no different: The title derives from an incident in which a chaste young woman, fleeing an unwanted suitor, is rumored to have turned herself into a butterfly, or a flower, to escape. While the bawdy record of Swain's affairs is at the heart of Harington's crowded, exuberant story, we also get a robust portrait of the doctor's special gifts, his patients, and his times (from the end of the 19th century to the 1950s). Apprenticed as a young boy to a hill doctor, he learns to use both a wide range of herbal remedies and conventional cures. But what really sets him apart is his trancelike ability to visit his patients at night, in their dreams, and to treat them successfully on some nocturnal astral plane. The most painful irony of Swain's career is that beautiful, beloved Tenny (Tennessee), the true love of his life, is the one patient he can't save. She dies, horribly, of tuberculosis. But, this being Stay More, she lingers on as a spirit, watching over Doc, waiting for him. Such material would evaporate in the hands of a lesser novelist. But Harington, an ingenious, wise storyteller and a sly stylist, able to catch the tang and vigor of the spoken word, makes Doc and the other inhabitants of Stay More seem as real as the mountains they inhabit—and also as mysteriously timeless.

Pub Date: May 10, 1996

ISBN: 0-15-100164-2

Page Count: 368

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1996

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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