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HIGH SOCIETY

THE LIFE OF GRACE KELLY

A solid reference and affectionate remembrance, but a rather toothless biography.

Veteran celebrity biographer Spoto (Spellbound by Beauty: Alfred Hitchcock and His Leading Ladies, 2008, etc.) capitalizes on his personal friendship with actress and honest-to-goodness princess Grace Kelly (1929–1982) to create an affectionate, informative, though somewhat bland account of the screen icon’s life.

Kelly was born into a well-established, wealthy Philadelphia family and enjoyed the privileged upbringing typical for a girl of her class, though she suffered from a lifelong sense of alienation from her success-oriented father and her cold, disapproving mother. With her unforgettable patrician good looks, Kelly found instant success as a model and quickly made a name for herself on the Broadway stage, abetted by such influential family members such as her uncle, playwright George Kelly. Hollywood beckoned, and Kelly made a handful of classic films, including The Country Girl (1954), for which she won an Academy Award; the musical High Society (1956), co-starring Frank Sinatra and Bing Crosby; and three pictures with the legendary Alfred Hitchcock: Dial M for Murder, Rear Window (both 1954) and To Catch a Thief (1955). Spoto is particularly interested in the relationship between Hitchcock and his muse, a fraught collaboration complicated by the director’s possessive, unrequited passion for the beautiful actress. Kelly famously left show business to marry Prince Rainier III of Monaco, where she devoted the balance of her short life to raising her children and to matters of state. Spoto identifies Kelly’s fresh, affectless acting style as the key to her cinematic appeal, and goes on at length about her aptitude for “high comedy,” which evidently consists of polite farce free of vulgarity or unpleasantness. The author, a meticulous writer, is guilty of placing Kelly on a pedestal, much as her character is damagingly “worshipped” in High Society. Instead of digging for new or surprising insights into her work or persona, Spoto repeatedly praises Kelly’s fine spirit and refutes the claims of the actress’s rumored promiscuousness.

A solid reference and affectionate remembrance, but a rather toothless biography.

Pub Date: Nov. 3, 2009

ISBN: 978-0-307-39561-0

Page Count: 320

Publisher: Harmony

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 15, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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