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HALEY, TEXAS 1959

TWO NOVELLAS

Two deeply disappointing, pallid novellas, identified as fictionalized autobiography, by the author of the story collection Can You Get There from Here? (1994). Both are set in small-town east Texas in the 1950s. “Seven Days Working” describes its adolescent narrator’s reaction to the task set for him by his phlegmatic father: to clear 70 acres of pastureland choked by soil-killing, useless mesquite trees—on his own, in a week’s time. Donnie, 14, stoically accepts this burden, hoping to prove his worth. But his labors provide only a framework on which Watt hangs a loose assortment of the boy’s memories: of his father’s undistinguished career in the oil business, of growing up “in a house of distrust, of judgment, a house imbued with the fear of failure”; of strained relations with his distant father and his fundamentalist mother, casual racism, glimmerings of sexuality, grieving the death of a beloved dog—it’s all generic and predictable, and it slows this already meditative story to a crawl. The title novella, developed from a briefly mentioned incident in its companion story, recounts the consequences of a vicious “game” of “nigger knockin‘” played by a carful of white youths—who accidentally kill the black pedestrian they intend only to harass. Watt examines this act from the viewpoints of 12-old Damon, the contemplative “preacher’s boy” who unwillingly participates in it, and of Damon’s father, a forgotten-man minister who (quite unbelievably) reasons that the excitement created by the murder will restore his reputation, once the news media have “spotlighted [him] as the voice of reason, a moderate leader in a red-neck, racist town.” Then Wallace learns the full truth from Damon, and Watt rushes their story to its inconclusive—and unearned—conclusion. A bad miscalculation by a writer who’s surely better than this. Watt is a capable stylist, but he needs a subject.

Pub Date: Nov. 15, 1999

ISBN: 0-938317-48-2

Page Count: 144

Publisher: Cinco Puntos Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1999

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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