Wry details and witty, dead-on dialogue charged with biblical echoes give Watt (Haley, Texas 1959, 1999, etc.) real class.

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REYNOLDS

East Texas novel built on the Cain-and-Abel story.

Ray Reynolds lost his bank job and just missed jail when a grand jury found that his best buddy’s loans and real-estate appraisals were shot full of more holes than a SLOW sign on a country road. His wife Sheila dumped him, picked up their twins, Larry and Garry, and set off for her well-to-do daddy’s ranch in West Texas, while Reynolds took what cash was left and bought a liquor store in East Texas. Now, life drifts by on Clear Creek Lake and, in his mid-40s, Reynolds gets half past mellow on bourbon and dances alone after closing hour. His latest live-in woman is Joy, a waitress at the Next to Nowhere Cafe, half his age and hot to leave his trailer out back of the store—and his bottomless supply of booze. Reynolds’s far-right brother Perry, an ex-Marine, former football star, and flake, teaches history at Cottonwood High School and has been warned to desist from feeding his students his kooky antigovernment line. Perry is deep into the sale of black-market automatic weapons to nuts who are preparing for the inevitable overthrow of the US government, and he sells the guns by dark of night right off Reynolds’s boat ramp. In their family, Perry is the beloved son, Reynolds the outcast, while their dad, Ray Senior, a retired Ford pickup dealer (his yellow-gray hair is “the color of foam that floats to the top when you boil a chicken”), leaves their daft mother Edwina to thump her Bible while he tries to invent a perpetual motion machine. Edwina’s death from exposure after she snaps her hip (Reynolds is too drunk to hear her cries) draws the brothers into a showdown at Perry’s safehouse of ammo and weapons.

Wry details and witty, dead-on dialogue charged with biblical echoes give Watt (Haley, Texas 1959, 1999, etc.) real class.

Pub Date: April 1, 2001

ISBN: 0-87565-265-5

Page Count: 200

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 2002

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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NORMAL PEOPLE

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth/Crown

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

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