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THE FUTURE IS MY PAST

THE END OF A TRILOGY

An insightful and earnest collection of stories centered on a sanctuary city.

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The third of Clovis’ (Six Doors Down, 2017, etc.) Princeton-centric novels uses time travel to examine how discrimination has changed or stayed relatively the same.

A recurring theme in the author’s trilogy is synchronicity, Carl Jung’s notion of “meaningful coincidence.” In her latest installment, Clovis addresses the possibility of traveling to the past and future via consciousness. This opens up discussions on crucial issues, both in their current state and throughout history. For example, there’s been an increase in anti-Semitic attacks since the start of the Trump administration, hate-fueled incidents the author equates with the Holocaust. “Learning the truth of the past and educating future generations,” she notes, “will begin the process of change.” She drives home her point by delving into the concept of parallel worlds. February 2017 global protests to stop the U.S. government from denying Syrian refugees entry is a potential reflection of historical change; in other words, a parallel world without the demonstrations could be considerably worse. As in Clovis’ preceding books, Princeton University is the hub for various tales, from personal accounts to a charter school’s increased budget adversely affecting public schools. But the town of Princeton is especially suitable to this novel; as a sanctuary city, it’s largely protected from Donald Trump’s recent immigrant deportation orders. In addition to racial and religious intolerance, Clovis perceptively tackles other subjects, like new journalism (Facebook as a subpar news source). She retains her effective time motif even in lighthearted moments: university students having to duck out of long lectures to feed parking meters. Most winsome, however, is the story of Clovis giving a heart-shaped pin to Carnethia (mother to Ida B., about whom the author’s previously written), a blue-collar university employee. The pin becomes a “souvenir of time travel,” somehow making its way back to the author. Readers of her earlier works will come to expect Clovis’ precise, striking descriptions: “The green-aged slate plates of roof hold folded, pale yellow, dim-lit, multi-paned windows that reflect the daylight.”

An insightful and earnest collection of stories centered on a sanctuary city.

Pub Date: Oct. 1, 2017

ISBN: 978-1-5043-8492-6

Page Count: 112

Publisher: BalboaPress

Review Posted Online: Sept. 22, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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