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LADY OF THE LIGHT

Gillespie provides yet another invincible female heroine in Auriane’s daughter Avenahar—look for her apotheosis in the next...

The sequel to Gillespie’s elaborate Roman epic featuring proud warrior Auriane (The Light Bearer, 1994) finds the now middle-aged woman on the verge of retirement while comfortably ensconced in her lover Marcus Julianus’s estate with two daughters.

It is a.d. 105, and Emperor Trajan rules over an uneasy conglomerate of nations in the Roman Empire. At the imperial border of Germany, where the ancient rivers Mosella and Rhenus meet, the Chattian chieftain's daughter Auriane has lived in romantic accord for seven years with Marcus Julianus, the revered, aristocratic Roman official and father of her nine-year-old daughter, Arria. Secretly, however, Auriane has been involved in a dangerous smuggling operation for her ragtag guerrilla tribe, the Chattians, and is torn between her love for Marcus and her desire to help her people in their ongoing insurrection against Rome. And her fearless, hot-headed 13-year-old daughter, Avenahar—whose father, a Roman slave, Auriane was involved with during a time she'd rather forget—is determined to become a warrior like her mother. When her father's fighting companion Witgern, leader of the Chattian Wolf Coats, seeks out Auriane to help them, Auriane refuses out of love for Marcus and her children, yet she is forced to flee anyway (with Avenahar quick at her side) once the Romans find out she is the fugitive smuggler. Gillespie is an engaging, credible narrator of these far-flung events, and delights especially in the details of Avenahar's womanhood ceremony, enacted deep in the ancestral Holy Wood in the presence of numerous elderwomen and sorceresses. When Avenahar bolts at the news of who her father really is, Auriane sets off to find her and with Marcus's help enlists the might of the Roman army, although our feminist warrior is fed up with this senseless violence and vows to spend her last years as a seer.

Gillespie provides yet another invincible female heroine in Auriane’s daughter Avenahar—look for her apotheosis in the next installment.

Pub Date: Nov. 7, 2006

ISBN: 0-425-21268-8

Page Count: 448

Publisher: Berkley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2006

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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