A lively and entertaining contribution to the shelf of books about books.
A meditation on reading and its redemptive powers.
“I didn’t devote myself to reading because I was instructed to or because it was supposed to be good for us, like vegetables, which I also devour,” writes Seaman of her formative years. “I read because reading was a way to escape the chaos and the pressure and to make sense of it.” A compulsive reader of the cereal box and matchbook variety, Seaman, an editor at Booklist magazine, chases down madeleines and Rosebud sleds in long-forgotten books from her childhood, such as a copy of Chinese Fairy Tales buried away in her parents’ basement, and exalts in memories of early heroes and heroines (“Jo March was my idol, as she was for so many bookish girls”). In later youth Seaman turns from characters to their creators as her chief source of fascination, the idea gaining on her that she, too, might become one of the world’s storytellers, if one of the disaffected teenage variety, cutting class with a book and a joint. Art school in the Midwest introduced her to new books and new readers, from Irish epics to difficult modernist novels; moving to the bookishly scruffy city of Chicago, home to Studs Terkel and Studs Lonigan, introduced her to other kinds of readers, among them the shadowy figures who haunted the “porn rags” section of a bookstore at which she worked. All along, Seaman’s life is punctuated by books, an ocean of Roth and Sontag and Woolf and Chekhov. A “constant reader” who generously advocates for a wide diet of literature, from novels to poetry to narrative nonfiction to essays and all that lie between, Seaman counsels that “the more varied our reading, the more detailed, intricate, and vital our perceptions become.”
A lively and entertaining contribution to the shelf of books about books.Pub Date: Nov. 5, 2024
ISBN: 9781734643565
Page Count: 150
Publisher: Ode Books
Review Posted Online: Aug. 28, 2024
Kirkus Reviews Issue: Oct. 1, 2024
BOOK REVIEW
BOOK REVIEW
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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