Thirty stories and sketches from one of the Harlem Renaissance's last surviving members: a first-rate collection that spans almost 70 years, and includes a prize-winning story (``The Typewriter'') written when West was 17. Many of the pieces here reflect the author's relatively privileged background as a genteel black Bostonian whose family pioneered the Negro summer community on Martha's Vineyard. West's fiction relies on popular story conventions defined by writers like O. Henry: It builds to a definite point, allows for sharp plot twists, and often ends in dramatic irony. Most of the tales here concern moneyhard-earned, easy-come, or out of reach. In ``The Penny,'' a boy who's lost his penny is coerced by a middle-class woman into betraying his parents so he can get another; the superb ``Jack in the Pot'' concerns a woman on relief whose lottery winnings create more problems than they solve; and ``Odyssey of an Egg'' is a hard-boiled tale of a ne'er-do-well, his head full of movie-derived gangster toughness, whose greed gets the better of him. West's best stories are often told from a young girl's point of view: The protagonist of ``The Five-Dollar Bill,'' whose parents live apart, sees childhood as ``full of unrequited love, and suffering, and tears''; ``Funeral'' offers a child's perspective on the apparent greed and guilt manifest at an uncle's funeral; and ``The Happiest Year, The Saddest Year'' concerns a girl's anger at the death of her dark-complexioned cousin. Shades of blackness figure prominently here, and they often have profound social consequences. West's strength is as a moralist and social observer, sensitive to the slippery slope of vice and the indignities of poverty. The nonfiction pieces include lovely portraits of West's entrepreneurial father and her family's heroic women; an astonishing anecdote involving director Sergei Eisenstein; and a classic profile of little-remembered Harlem Renaissance figure Wallace Thurman. A wonderful historical gathering by a writer who's not just part of literary history but still very much alive.
Pub Date: July 1, 1995
ISBN: 0-385-47145-9
Page Count: 272
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1995
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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