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FOGLAND POINT

Readers who can accept the wildly improbable explanation behind the carnival of crime in Little Compton will find Burgess’...

When his Rhode Island Catholic college realizes he’s transgender, a history professor gets fired from his job just in time to respond to the grandmother who cried wolf once too often.

Maggie Hazard’s phoned her grandson so many times to report imagined emergencies that he lets her latest call go to voicemail. This time the message turns out to be about her discovery of a bloody corpse in the kitchen. After he finally listens to it, David Hazard, who’s just been let go because a required medical form revealed his birth name as Rosalie, packs his overnight kit and heads for Little Compton, the end-of-the-line spit of New England shoreline where his widowed grandmother lives with encroaching dementia. She shows no more signs of wear and tear than usual, but Emma Godfrey, the next-door neighbor who lavished her with care, has been killed by a collision with a frying pan. It looks like an accident caused by the collapse of a shelf full of cookware in Emma’s kitchen, but it’s actually murder, announces Sheriff Billy Dyer. David’s complicated relationship with Billy, who dated and proposed to him before he transitioned, guarantees some initial awkwardness, but soon the two are working together to figure out who killed Emma—and what happened to local celebrity Marcus Rhinegold, who disappeared aboard his yacht shortly after propositioning David and inadvertently revealing that he and his wife, Alicia, nee Crystal Gronkowski, were hiding from the murderous Molinari gang. Even though you’d think that nothing ever happens in Little Compton, David observes tellingly that “The secret to village life is concealment,” and pretty much every single member of the cast turns out to be hiding some remarkably dirty laundry.

Readers who can accept the wildly improbable explanation behind the carnival of crime in Little Compton will find Burgess’ debut strongly evocative of a distinctive place, presented in a compelling first-person voice that manages to be beyond illusions but never cynical.

Pub Date: Aug. 7, 2018

ISBN: 978-1-4642-1022-8

Page Count: 296

Publisher: Poisoned Pen

Review Posted Online: May 14, 2018

Kirkus Reviews Issue: June 1, 2018

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NOW THAT YOU MENTION IT

Balancing emotion, humor, and a redemptive theme, Higgins hits all the right notes with precision, perception, and panache.

Years after escaping her tiny Maine community and completely reinventing herself, Nora Stuart is coming home to heal from an accident, determined to forge new connections, especially with her distant mother and angry niece.

Nora grew up on a tiny Maine island and suffered her father’s abandonment, becoming an overweight, miserable adolescent, scorned by classmates and, even more devastating, by her beautiful younger sister. But when she wins a coveted scholarship, she transforms her life, shedding the weight and gaining a medical degree. She settles into an exciting life in Boston until tragedy strikes and a shaken Nora is surviving but not thriving. After she’s hit by a van, she decides to go back home to Maine to heal—both physically and psychologically—knowing it won’t be easy, since her relationship with the island and many of its residents is, well, complicated. This includes Luke Fletcher, her biggest rival for the scholarship and the island's favored son. It also includes her mother—an almost comically laconic Mainer who can barely muster a conversation with Nora but coos at her pet bird and offers “hug therapy” to wounded souls—and her niece, Poe, daughter of the aforementioned sister, who is now serving time. One friend and ally, however, is Luke’s twin, Sullivan, whose daughter, Audrey, has weight issues Nora can relate to. Nora steps in to help at the community clinic, tries to break through her mother’s prickly exterior, helps Poe and Audrey find common ground, and makes new friendships while tightening some old ones, but old and new resentments rise to the surface, too. Nora has lots to unpack and sift through, but figuring out who she is and wants to be is a powerful, entertaining journey.

Balancing emotion, humor, and a redemptive theme, Higgins hits all the right notes with precision, perception, and panache.

Pub Date: Dec. 26, 2017

ISBN: 978-1-488-02926-4

Page Count: 416

Publisher: Harlequin

Review Posted Online: Nov. 13, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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RIVER'S END

Though Roberts (The Reef, 1998, etc.) never writes badly, her newest mystery romance is more inconsistent than most. Little Olivia MacBride, daughter of two golden Hollywood superstars, wakes up one night to see her coked-up father holding her mother’s bloody body, a scissors in his hand. After her dad is led off to prison, Liv is sent to live with her grandparents, who run a successful lodge in the Olympic rain forest on the Washington coast—a location far across the continent from the Maryland shores of Roberts’s Quinn trilogy, but one that allows her to explore another place of life-giving scenic wonder. And when Liv grows up and becomes a naturalist/guide, she gets to take us on lots of eye-dazzling tours. Into her sheltered paradise comes Noah Brady, the son of the police detective who arrested Liv’s father and has been her friend since childhood. Noah has grown up to be a bestselling true-crime writer, and, against Liv’s will, he wants to write his next book about the MacBride murder case. (Liv’s dad, about to be released from San Quentin, is dying of brain cancer.) Though Liv fights her attraction to Noah, he’s a persistent boy, and on an extended and very sexy camping trip, the two become lovers. Meanwhile, the real murderer, whose identity will probably be obvious to most readers, leaves his own trail of violence up to Washington and a final prime-evil shoot-out. Added to Roberts’s poorly drawn mystery and her interlude of swell lusty love is her usual theme of how wounded children and inner children are healed and nurtured by good nuclear families. If the conventional wisdom is true, that romance readers never tire of reruns of the same old same old, then Roberts won’t have disappointed them.

Pub Date: March 1, 1999

ISBN: 0-399-14470-6

Page Count: 432

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

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