A smart shot at the absurdity of Wall Street and the long fall that brought us all down.

GHOSTS OF MANHATTAN

A bond trader living the high life at Bear Stearns starts to see the writing on the wall over the course of a single tumultuous winter.

With his noir-ish debut novel, former broker (and spouse of Fox News anchor Megyn Kelly) Brunt delves not just into the mechanics of the financial crash, but also the mindset that created the explosive state of affairs. Set at the end of 2005, the novel’s entry into the financial world comes via narrator Nick Farmer, a 35-year-old married bond trader. The guy, to put it mildly, is burnt. “There is one noble thing about crime,” he explains. “It is the only true meritocracy on the planet. No one in the crime industry cares whether you went to Harvard or dropped out of the fifth grade. They don’t look at resumes—you eat what you kill.” His life is a textbook case of arrested development, full of nightclubs, coke in bathroom stalls and banter with his crew over items like “stripper glitter.” It’s a trade where making millions just shows you’re incapable of multimillions. Despite his impending self-immolation, Nick steps up when a maladjusted but brilliant analyst asks him to back his report revealing the massive risks of the firm’s practices. He also comes to the rescue when his younger reports do a six-figure job on a hotel room one night, covering for kids who can pay the damages out of their last bonus. In the meantime, he starts a flirtation with Rebecca James, a CNBC reporter who’s digging into the dirty laundry, even as he physically threatens the guy he thinks is having sex with his wife.

A smart shot at the absurdity of Wall Street and the long fall that brought us all down.

Pub Date: Oct. 2, 2012

ISBN: 978-1-4516-7259-6

Page Count: 288

Publisher: Touchstone/Simon & Schuster

Review Posted Online: Sept. 16, 2012

Kirkus Reviews Issue: Oct. 1, 2012

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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