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PRESIDENTIAL CONCLUSIONS

A sharp tale of government and terrorism fortified by an exceptional POTUS protagonist.

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Samantha “Sam” Harrison must lead the United States against coordinated nationwide terrorist strikes in this political thriller, the final installment of a trilogy.

Returning for her third appearance, Sam’s now the 46th U.S. president, defeating Hillary Clinton’s bid for a second term. Sam’s first year in office, 2021, is burdened by rumors of terrorist attacks in America. These are exacerbated by Iranian religious leader Ali Khamenei’s viral YouTube video, a speech in which he declares a jihad against the U.S. as well as Britain and Russia. What’s anticipated unfortunately comes true: simultaneous suicide bombers in multiple cities wreak havoc, resulting in thousands of deaths. Sam, who gets advice from former presidents (the Clintons), has a plan involving a potential deal with Russia and making nice with patronizing Vladimir Putin. Meanwhile, Richard Haddad, deputy director of the CIA’s National Clandestine Services, has leeway to track down suspects, even domestic, which Sam may or may not be aware of. Haddad gets a solid lead following the unexplained disappearance of Chief of Staff Zachary Watts, while fed-up Idaho citizen Mark Steinberger, wanting answers for the mass killings, looks in Washington, D.C., ultimately zeroing in on Sam’s congresswoman daughter, Amanda Harrison-Donnelly. Sam’s more than proven herself throughout Wood’s (Presidential Declarations, 2015, etc.) trilogy, a strong political figure who’s overcome tragedies, like her husband’s death. But the story spotlights numerous strong female characters, including Amanda; SEAL-trained limo driver and bodyguard Sara Friedman; and even—in a small role—veteran “no-nonsense judge” Carol Ann Vogel. Wood generally forgoes detailing characters’ physical attributes but molds individuals via personalities; old-school Haddad, for one, loathes using social media as part of his investigations. Much of the plot’s relayed through dialogue, but an unmistakable cynicism of Washington politics prevails. Most notable is political spinning: the president’s staff covers up an “incident” by accusing an innocent man of attempted assassination. Grimmer moments are impossible to miss, from devastating explosions to scenes of torture.

A sharp tale of government and terrorism fortified by an exceptional POTUS protagonist.

Pub Date: Jan. 17, 2017

ISBN: 978-1-5375-9062-2

Page Count: 344

Publisher: CreateSpace

Review Posted Online: March 3, 2017

Kirkus Reviews Issue: April 1, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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