Taken one a night, these raucous harangues would make perfect bedtime reading for their obvious target audience—even though,...
The year’s Prize for Political Incorrectness (Reprint Division) goes to this bundle of three dozen monologues, first serialized in Punch in 1845, which the sublimely middle-class Mrs. Margaret Caudle directs toward her aptly named husband Job every night as he lies in bed praying to escape in slumber.
Embroidering a different text each evening, Mrs. Caudle, noting that she has had no opportunity to speak to her husband all day, belabors Mr. Caudle about his friends, his spending habits, his staying out late, his practice of Freemasonry, his resistance to a seaside holiday, and his alleged flirting with his unsuitable friend Mr. Prettyman’s minx of a sister. On occasion, by way of variety, she forgoes her scolding for cajoling “Caudle, love” (a truly ominous phrase) on behalf of celebrating their anniversary properly, inviting her mother to live with them, or retreating to France or a country cottage—though she’s equally capable of yearning for home and London when Mr. Caudle relents. As Peter Ackroyd observes in his brief Introduction, Victorian humorist Jerrold’s shrewish heroine displays not only a remarkable tenacity in bringing her prey to book, but a prodigious inventiveness in bulldozing the twists and turns of his every defense. Her 150-year-old voice is as fresh as ragweed, and so is her husband’s, heard only refracted through her own plaints (“A nice place too, to be called the Turtle-Dovery! Didn’t I christen it myself? I know that—but then I knew nothing of the black-beetles”) or in brief final comments on each night’s agon (“I was resolved to know nothing, and so I went to sleep in my ignorance”).
Taken one a night, these raucous harangues would make perfect bedtime reading for their obvious target audience—even though, consumed in volume, their satiric hectoring becomes hard to distinguish from Mrs. Caudle’s own. (Illus. throughout with period line drawings)Pub Date: Dec. 1, 2000
ISBN: 1-85375-400-5
Page Count: 256
Publisher: Prion/Trafalgar
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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