An impressive story of corruption, religion and friendship, and the lengths people go to for love.
A fascinating tale of a young man’s downward spiral into depression.
Richardson (The Corruption of Zachary R., 2009) follows his debut novel with this fast-paced, harrowing sequel that begins with H. James “Jimmy” Branhoover’s suicide, then backtracks through his unique childhood. Jimmy, born to the “well-to-do and good-for-nothing” banker H. Charles Branhoover and Chloe, a former prostitute, is the heir apparent of his father’s fortunes. His childhood is simple enough: He has a best friend, the beautiful Kay Sunday—whose parents are “spiritual consultants and amateur astronomers, selling God and telescopes”—and he soon befriends Clayton Mulder, who winds up with the nickname Innocent #2. The three form a bond of sorts, until Jimmy begins to feel threatened by Innocent #2, whom he suspects is capturing all of Kay’s attention. As Jimmy struggles with his shifting dynamic with Kay, his life takes a tragic turn when his father suddenly passes, leaving Jimmy an inheritance of millions of dollars. He turns to religion to help sort through his emotions and soon finds himself embroiled in a bitter battle between the corrupt Rev. Vander Stevenson (aka Patchouli Goldwatch) and Kay’s family. Goldwatch goes so far as to paint swastikas on the side of the church, then blames the Sundays. Eager to correct the wrongs, and hopeful that he can win back Kay, Jimmy endeavors to buy the church from Goldwatch and hand it over to the Sundays. Just as it seems that Jimmy’s life is falling into place, a late-night phone call includes a surprising proposition that threatens to send Jimmy to new depths of unhappiness. Equal parts comedic and tragic, this coming-of-age tale explores compelling themes such as faith, wealth, deception and betrayal. The story’s opening, detailing Jimmy’s tragic end, leads to a series of compelling scenes as the reader pieces together the events that triggered his suicide. Filled with memorable characters and thoughtful moments, this well-paced story provides lessons as well as entertainment.
An impressive story of corruption, religion and friendship, and the lengths people go to for love.Pub Date: Jan. 28, 2013
ISBN: 978-0984242450
Page Count: 228
Publisher: Weak Creature Press
Review Posted Online: April 2, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
