Next book

THE BOOK OF WONDERS

Well-made, erudite, often witty short stories from an accomplished veteran of the form.

Trevor's (Girls I Know, 2013) second book of stories is nimble and smart—bookish in a mostly good way.

These characters, often academics, tend to be feeling hapless in middle age, and they crave life changes that their habits and mildness and shore-hugging aren't likely to allow—until Trevor puts them into collisions with big disruptive forces: a boyfriend who seems sprung from mythology ("Endymion"), an iconoclastic writer of experimental fiction ("The Novelist and the Short Story Writer"), the threat of exposure as an embezzler ("The Program in Profound Thought"). The satiric elements in these stories, especially toward their beginnings, can be a bit easy and overbroad, but by taking his characters' emotional plights with utmost seriousness even as he lampoons their circumstances, Trevor manages again and again to steer the stories into deeper, weirder, more fascinating waters. In "The Detroit Frankfurt School Discussion Group," for example, Colin, a recently divorced sad-sack adjunct instructor in English, having failed to reorder his life through golf, Thai cooking, learning Russian, strong drink, internet dating, and so on, is kidnapped off the street and driven to an abandoned, rat-ridden book depository in the wrecked inner city, where his charge is to explain by candlelight how German critical theory can help fix Detroit. Trevor ingeniously stretches the thin filament of this conceit, and by the end it's become a surprising and even poignant small-scale novel of ideas featuring two formidable characters: the resurgent Colin and his charismatic abductor, a drug dealer–turned-philosopher named Ty.

Well-made, erudite, often witty short stories from an accomplished veteran of the form.

Pub Date: Oct. 17, 2017

ISBN: 978-0-9848245-5-7

Page Count: 267

Publisher: SixOneSeven Books

Review Posted Online: Aug. 7, 2017

Kirkus Reviews Issue: Aug. 15, 2017

Categories:
Next book

MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview