A dizzying spy story for readers with clear minds and steely constitutions.
In the second installment of the Spies Lie thriller series, a covert agent reunites with his allies as intelligence agencies battle over a revolutionary tracking device.
Master hacker William Wing discovers that someone has broken into his Hong Kong apartment and stolen all the secrets on his computer—secrets that belong to clients such as Israel’s Mossad intelligence agency. Afraid that he’ll be killed as a result of the breach, he reaches out to his friend Jon Sommers, a former Mossad assassin who’s now working undercover in a German bank (and having a hot-and-heavy romance with fellow spy Ruth Cohen). The thief is revealed to be Cassandra Sashakovich, an agent with an unnamed American intelligence agency who had been ratted out by a mole, raped by a terrorist and is now running for her life. The data she made off with includes plans for a tiny tracking gadget that allows one to see through the eyes of the person who swallows it; naturally, many people would kill to get their hands on it. Sommers brings together his few trusted allies, including hardened soldier Avram Shimmel, to help Wing and prevent the plans from falling into the wrong hands—but whose hands are the wrong ones? Kane (Bloodridge, 2014) purports to be a former spy himself, and his extensive knowledge of the ways that the world’s governments wage covert war on one another shines through in his incredibly detailed prose. At times, however, these details grow overwhelming and make it hard to keep track of who’s spying on whom and why. However, readers who adore action-packed thrillers in the vein of Robert Ludlum’s Bourne series will enjoy its many double-crossings. However, some readers should be warned: There are graphic scenes of torture excruciating enough to possibly make one’s stomach turn. Indeed, so many upsetting things happen to the main characters that it may be easy for readers to grow despondent about the state of the world by the time the story reaches its firestorm of a conclusion.
A dizzying spy story for readers with clear minds and steely constitutions.Pub Date: June 12, 2014
ISBN: 978-0996059138
Page Count: 354
Publisher: The Swiftshadow Group, Inc.
Review Posted Online: Oct. 24, 2014
Review Program: Kirkus Indie
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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