An entertaining series denouement that runs at full tilt.
Two newlyweds on their honeymoon, a hacker and a former Mossad assassin, learn of a potentially dangerous covert op in the 10th installment of the Spies Lie thriller series.
Stanford University senior Ann Sashakovich has just faced off against a rogue artificial intelligence, with help from the AI she and fellow students built. But now she has more pressing issues, such as choosing a career path and marrying the much older man she loves, Jon Sommers, a former Mossad operative. Amid ongoing classes and impending interviews with potential employers ranging from the CIA to Google, Ann must also persuade her adoptive parents to OK her wedding. They’re uncomfortable with the couple’s age discrepancy, and Jon is their boss at the U.N. Paramilitary Force. Then Mossad director Avram Shimmel reactivates Jon so he can help track down terrorists in Israel whose bomb killed hundreds, including Avram’s wife. Ann reluctantly agrees to accept the offer of an accompanying job as a Mossad hacker, provided she and Jon first tie the knot. Unfortunately, the newlyweds’ London honeymoon puts them somewhat near a dead drop in Scotland—blueprints for a military weapon linked to the bombing. The couple go on an Edinburgh whisky tour for intel—until someone desperate for a vital thumb drive starts knocking off tourists; honeymoon or not, Jon wants to get to the bottom of it. Kane (brAInbender, 2018, etc.) jam-packs his story with easy-to-keep-track-of characters, including returning ones such as Ann’s parents, Lee Ainsley, and the original series protagonist, Cassie Sashakovich. Moreover, narrative shifts among so many people make for brief scenes and a consistently speedy pace. The story lacks a few pertinent details: Ann and Jon’s trip from London to Edinburgh, for example, has an inexplicable 18-day gap. Still, it’s exhilarating to watch Ann’s intermittent displays of special talents, such as the ability to access the internet mentally, stemming from a prior nanodevice overdose. Although this book is said to be the last in the series, some characters’ open endings leave room for spinoffs.
An entertaining series denouement that runs at full tilt.Pub Date: Dec. 11, 2019
ISBN: 978-0-9996554-7-4
Page Count: 283
Publisher: Swiftshadow Group, Inc.
Review Posted Online: Jan. 24, 2020
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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