A droll and charming zombie tale that’s a bit hampered by predictability.
In this comic horror novel, two human survivors of a zombie apocalypse fall in love.
While Hanson Belfour is at his weekend job updating computer systems, a sudden zombie outbreak occurs. He locks himself in the empty building and survives. Before too long, the zombies stop being violent and return to the routines that they had as humans—including going to work every day. Hanson is able to walk among them, albeit slowly. A decade later, Hanson is living with his zombified brother, Rick, and assumes that he’s the last living human on Earth. That’s why he’s surprised when he happens upon “the most beautiful zombie he’d ever seen.” It’s Alicia Hooker, whom readers know is also human and feigning zombification. Alicia regularly socializes with other human survivors, many of whom who hang out at a secret, zombie-free social space called the Blue Oyster. When she and Hanson finally connect, they’re almost immediately smitten with each other. Alas, being in love can be dangerous, as excessive emotion draws unwanted zombie attention. Soon there’s a human threat to their maturing romance, as well: an ex-boyfriend from Alicia’s pre-apocalypse past. As Hanson worries about the future of their relationship, Alicia becomes determined to locate the reputed “Promised Land,” a safe haven for humans. Perkins (Hot Chocolate for the Mind, 2012) and Sakai (co-author: 442, 2019, etc.) deliver a zombie tale that’s more funny than scary. There’s still plenty of tension, however, as the zombies remain a perpetual menace; whenever characters let their guard down, they often receive violent reminders of the zombies’ presence. The comedy, meanwhile, is generally subtle, as when Alicia muses that eating cow brains, as part of her zombie act, isn’t “the healthiest diet in the world.” Most of the zombie attacks are implied, rather than described, which strengthens the lighthearted tone. However, the story tends to lean on clichés, particularly when it comes to the central couple’s relationship; as a result, a few plot turns, while entertaining, are also unsurprising.
A droll and charming zombie tale that’s a bit hampered by predictability.Pub Date: May 15, 2019
ISBN: 978-1-62526-889-1
Page Count: 251
Publisher: Solstice Publishing
Review Posted Online: Aug. 9, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
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