A droll and charming zombie tale that’s a bit hampered by predictability.


In this comic horror novel, two human survivors of a zombie apocalypse fall in love.

While Hanson Belfour is at his weekend job updating computer systems, a sudden zombie outbreak occurs. He locks himself in the empty building and survives. Before too long, the zombies stop being violent and return to the routines that they had as humans—including going to work every day. Hanson is able to walk among them, albeit slowly. A decade later, Hanson is living with his zombified brother, Rick, and assumes that he’s the last living human on Earth. That’s why he’s surprised when he happens upon “the most beautiful zombie he’d ever seen.” It’s Alicia Hooker, whom readers know is also human and feigning zombification. Alicia regularly socializes with other human survivors, many of whom who hang out at a secret, zombie-free social space called the Blue Oyster. When she and Hanson finally connect, they’re almost immediately smitten with each other. Alas, being in love can be dangerous, as excessive emotion draws unwanted zombie attention. Soon there’s a human threat to their maturing romance, as well: an ex-boyfriend from Alicia’s pre-apocalypse past. As Hanson worries about the future of their relationship, Alicia becomes determined to locate the reputed “Promised Land,” a safe haven for humans. Perkins (Hot Chocolate for the Mind, 2012) and Sakai (co-author: 442, 2019, etc.) deliver a zombie tale that’s more funny than scary. There’s still plenty of tension, however, as the zombies remain a perpetual menace; whenever characters let their guard down, they often receive violent reminders of the zombies’ presence. The comedy, meanwhile, is generally subtle, as when Alicia muses that eating cow brains, as part of her zombie act, isn’t “the healthiest diet in the world.” Most of the zombie attacks are implied, rather than described, which strengthens the lighthearted tone. However, the story tends to lean on clichés, particularly when it comes to the central couple’s relationship; as a result, a few plot turns, while entertaining, are also unsurprising. 

A droll and charming zombie tale that’s a bit hampered by predictability.

Pub Date: May 15, 2019

ISBN: 978-1-62526-889-1

Page Count: 251

Publisher: Solstice Publishing

Review Posted Online: Aug. 10, 2019

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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