by Dwight Garner ‧ RELEASE DATE: Nov. 10, 2020
A diverting trove of witty remarks.
An uncommon commonplace book from a wide-ranging reader.
From the time he was in high school, journalist and New York Times book critic Garner kept a commonplace book, jotting down lines from his readings that he found especially apt and pithy. Although for his own use, he assembled those quotations into categories such as food, social class, travel, politics, money, and war; here, he juxtaposes selections “by feel, not category,” hoping “to let the comments speak to one another and perhaps throw off unexpected sparks.” From a prodigious list of writers—the index comprises 20 pages, from Edward Abbey to Emile Zola—Garner offers a collage of aphorisms, sometimes surprising, often entertaining. While the quotations do speak to one another, they also leap oddly from topic to topic: Comments on flying morph into observations on sunsets, then book reviewing, then on looking at oneself (“I am afraid, this morning, of my face,” Randall Jarrell laments). The multitude of topics includes death, toilets, oranges, reading, vomiting, baldness, dreams, dancing (“I would give all my profound Greek to dance really well,” Virginia Woolf remarked), trains, genitalia, and orgasms (Jim Harrison: “There’s no nature in New York and the closest you can get is an orgasm”). Garner delights in including words not printable in his newspaper, and his selections privilege the sly and irreverent. “I think women admire Marlene Dietrich so much because she looks as if she ate men whole, for breakfast, possibly on toast,” according to Angela Carter. “If Emily Dickinson owned a restaurant it would be Chez Panisse,” wrote Jason Epstein. Motherhood elicits observations from Anne Sexton and Anne Lamott. Sexton: “My daughter says to her friends ‘a mother is someone who types all day.’ ” Lamott: “I used to not be able to work if there were dishes in the sink. Then I had a child and now I can work if there is a corpse in the sink.”
A diverting trove of witty remarks.Pub Date: Nov. 10, 2020
ISBN: 978-0-374-27919-6
Page Count: 304
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 27, 2020
Kirkus Reviews Issue: Dec. 1, 2020
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Brandon Stanton photographed by Brandon Stanton
by Elyse Myers ; illustrated by Elyse Myers ‧ RELEASE DATE: Oct. 28, 2025
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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