A factoid-rich if bloated tribute to an overly maligned moment in pop history.
An oral history of England’s New Romantic pop movement, full of synths, style, and substance (no, really).
Conventional 1970 and ’80s rock history draws a direct line from punk to new wave to mainstream alternative acts, dismissing the likes of ABC, Spandau Ballet, Human League, and Culture Club as sideshows. But the more than 150 voices assembled by longtime pop journalist and GQ editor-in-chief Jones offer a more sophisticated—and, frankly, less homophobic—take. The scenesters who convened on London clubs like the Blitz saw punk as a spent force by the late ’70s and were more enchanted by electronic acts like Kraftwerk and the enduring glamour of David Bowie and Roxy Music. (For this crowd, Donna Summer’s “I Feel Love,” not a Sex Pistols or Clash single, was the key inspiration.) No question, fashion mattered plenty: Blitz impresario and Visage frontman Steve Strange proudly turned Mick Jagger away from his club because he was “dressed in a baseball cap and trainers.” But the music was vital, too, and Jones captures a moment when acts like Gary Numan, Yazoo, and Soft Cell were delivering pioneering synth-pop graced with some of Bowie’s stardust. The rise of MTV gave those bands a global platform but also spawned an army of lesser wannabes (even a young Ricky Gervais got into the act) and opened the movement to accusations of being only as good as their haircuts. The assembled commentators come armed with dishy anecdotes, though casual readers would be satisfied with a book half as long. By the time 1985 rolled around, heroin and fickle tastes had undone many of the musicians, which somewhat undercuts the author’s case for the musicians’ enduring influence. (Oddly, two of the era’s enduring acts, the Pet Shop Boys and Depeche Mode, get relatively short shrift.) But for a while there, everybody looked and sounded great.
A factoid-rich if bloated tribute to an overly maligned moment in pop history.Pub Date: Oct. 6, 2020
ISBN: 978-0-571-35343-9
Page Count: 432
Publisher: Faber & Faber
Review Posted Online: June 17, 2020
Kirkus Reviews Issue: July 15, 2020
Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.
Remembering “Hershy.”
Three hundred and twenty-eight days. That’s how long Hersh Goldberg-Polin was held in captivity—tortured and starved by his captors in underground tunnels—before he was executed. He was 23 years old. In this unvarnished and heartrending account, Goldberg-Polin’s mother, Rachel, writes of the unending torment that she and her husband, Jon, endured after learning that their son had been kidnapped by Hamas terrorists during the attacks of October 7, 2023. Like so many other young people on that day, Hersh was attending a music festival in Israel—a celebration of love and unity. As Goldberg-Polin writes, her son was “the only American citizen kidnapped alive on October 7th who did not return alive.” In direct, plainspoken language that steers clear of politics, the author, a Jewish educator, recounts “being in a daze of the most indescribably sickening horror and fear, like nothing I had ever felt in my life. I remember my heart racing and feeling like I was in a permanent state of someone scaring me.” In addition to “shovel[ing] out my pain in the form of words,” she shares reminiscences of her son, as well as details that only a parent could notice. “His eyes were cookies,” she says of her “Hershy.” “I couldn’t find the pupils within the dark chocolate-brown irises.…He had a raspy voice, even when he was a baby.” And: “I thought he was hilarious; his sarcasm and humor were similar to mine.” Hersh and his sisters, Leebie and Orly, adapted well to life in Israel after the family moved from Richmond, Virginia. (Hersh was born in the Bay Area.) After being discharged from his service in the Israeli army as a combat medic, he was planning to journey around the world—a longtime dream of his. “So many people have come to love you, Hersh,” Jon Polin writes in the book’s afterword. And with one simple word that has the power to touch any heart, he signs off: “Dada.”
Suffering unfathomable anguish, a mother memorializes her murdered son with great tenderness.Pub Date: April 21, 2026
ISBN: 9798217198009
Page Count: 288
Publisher: Random House
Review Posted Online: April 21, 2026
Kirkus Reviews Issue: June 1, 2026
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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