by Dylan Jones ‧ RELEASE DATE: Dec. 5, 2023
Essential for Velvet diehards, but also of interest to those longing for the pre-Disneyfied New York City.
A warts-and-all oral history of the iconic proto-punk band.
“Rock and roll is so great; people should start dying for it.” So proclaimed Velvet Underground founder Lou Reed, and it wasn’t much of a stretch. The people around the band and around Andy Warhol’s Factory dropped like flies during the Underground’s early days, and it’s sobering to note how many of the voices are now silent. Reed is broadly remembered as “one of the coldest, most humorless, arrogant and—worse—boring characters rock and roll has ever seen,” in veteran music journalist Jones’ words—or as journalist Barney Hoskyns puts it, “dry and sneering, even when he was being tender.” Reed was seldom without that sneer and an accompanying snarl. One of the sharp points that Jones draws out is how profoundly, for instance, Reed hated the Beatles (“throughout his career he went out of his way to diminish them”), prefiguring the punk hatred for hippies that would emerge a few years later. The author rightfully devotes much attention to Welsh musician and composer John Cale, who gave the band so much of its distinctive sound. Dylan offers less on Maureen Tucker, the drummer who turned toward right-wing politics in her later years; and the late Sterling Morrison, who, in a sideways but heartfelt compliment, the similarly late Reed recalls as “perfectly made for being a tugboat captain.” While the band members cordially hated one another and parted acrimoniously, they also hated the world, making an art form out of misanthropy. Even so, glimpses of humanity break through: Reed’s anthemic song “Sweet Jane,” by the author’s account, was “a cautionary tale of forgiveness,” and Cale elevated Leonard Cohen’s song “Hallelujah” to “a modern masterpiece.”Essential for Velvet diehards, but also of interest to those longing for the pre-Disneyfied New York City.
Pub Date: Dec. 5, 2023
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: Sept. 10, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
Awards & Accolades
New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
Pub Date: July 12, 2022
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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by Britney Spears ‧ RELEASE DATE: Oct. 24, 2023
Spears’ vulnerability shines through as she describes her painful journey from vulnerable girl to empowered woman.
A heartfelt memoir from the pop superstar.
Spears grew up with an alcoholic father, an exacting mother, and a fear of disappointing them both. She also displayed a natural talent for singing and dancing and a strong work ethic. Spears is grateful for the adult professionals who helped her get her start, but the same can’t be said of her peers. When she met Justin Timberlake, also a Mouseketeer on the Disney Channel’s updated Mickey Mouse Club, the two formed an instant bond. Spears describes her teenage feelings for Timberlake as “so in love with him it was pathetic,” and she’s clearly angry about the rumors and breakup that followed. This tumultuous period haunted her for years. Out of many candidates for villains of the book, Timberlake included, perhaps the worst are the careless journalists of the late 1990s and early 2000s, who indulged Timberlake while vilifying Spears. The cycle repeated for years, taking its toll on her mental health. Spears gave birth to sons Sean Preston and Jayden James within two years, and she describes the difficulties they all faced living in the spotlight. The author writes passionately about how custody of her boys and visits with them were held over her head, and she recounts how they were used to coerce her to make decisions that weren’t always in her best interest. As many readers know, conservancy followed, and for 13 years, she toured, held a residency in Las Vegas, and performed—all while supposedly unable to take care of herself, an irony not lost on her. Overall, the book is cathartic, though readers who followed her 2021 trial won’t find many revelations, and many of the other newsworthy items have been widely covered in the run-up to the book’s release.Spears’ vulnerability shines through as she describes her painful journey from vulnerable girl to empowered woman.
Pub Date: Oct. 24, 2023
Page Count: 288
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Oct. 25, 2023
Kirkus Reviews Issue: Dec. 1, 2023
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