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POSTCARDS

Proulx staked her claim on the rocky soil of New England gothic in a collection called Heart Songs and Other Stories (1988), and puts down roots there in this dark debut novel that chronicles the slow diaspora and death of a Vermont farm family. They are the Bloods—cranky Minkton; washed-out Jewel; and the not-so-sweet fruit of their loins, Dub, who lost an arm riding the rails; handsome Loyal; and Mermelle, an object of ridicule among the children of Cream Hill because she wears her mother's dresses to school. That's because the Bloods are as poor as the Beans of Egypt, Maine. During WW II, things get even worse when Loyal jumps into his '36 Chevy Coach and heads west in order to avoid being blamed for the accidental death of his girlfriend. For the next 40 or so years, he sends postcards home that tell the tale of his exploits, including getting scalped by an Indian, surviving a mine cave-in Colorado, digging for dinosaur bones in Utah, and ending up a toothless old codger with a lot of stories no one believes. Meanwhile, back at the farm Minkton and Dub set the barn on fire for the insurance money and wind up in prison, an experience that causes father to hang himself and son to relocate to Florida. Mermelle finds happiness as a mail-order bride, and Jewel sells the farm to a trailer-park developer. Loyal's words could serve as an epitaph for the whole Blood tribe: ``Life cripples us in different ways but it gets to everybody...Gets you again and again and one day it wins.'' Not exactly invigorating, but shrewdly, imagistically written. Promising work, providing that Proulx discovers a few colors on the other side of the spectrum in novel number two.

Pub Date: Jan. 9, 1992

ISBN: 0-684-18718-3

Page Count: 320

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1991

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THE HIDDEN GIRL AND OTHER STORIES

A mixed bag of stories: some tired but several capable of poetically piercing the heart.

Science fiction author (The Wall of Storms, 2016) and translator (The Redemption of Time, Baoshu, 2019) Liu’s short stories explore the nature of identity, consciousness, and autonomy in hostile and chaotic worlds.

Liu deftly and compassionately draws connections between a genetically altered girl struggling to reconcile her human and alien sides and 20th-century Chinese young men who admire aspects of Western culture even as they confront its xenophobia (“Ghost Days”). A poor salvager on a distant planet learns to channel a revolutionary spirit through her alter ego of a rabbit (“Grey Rabbit, Crimson Mare, Coal Leopard”). In “Byzantine Empathy,” a passionate hacktivist attempts to upend charitable giving through blockchain and VR technology even as her college roommate, an executive at a major nonprofit, fights to co-opt the process, a struggle which asks the question of whether pure empathy is possible—or even desired—in our complex geopolitical structure. Much of the collection is taken up by a series of overlapping and somewhat repetitive stories about the singularity, in which human minds are scanned and uploaded to servers, establishing an immortal existence in virtuality, a concept which many previous SF authors have already explored exhaustively. (Liu also never explains how an Earth that is rapidly becoming depleted of vital resources somehow manages to indefinitely power servers capable of supporting 300 billion digital lives.) However, one of those stories exhibits undoubted poignance in its depiction of a father who stubbornly clings to a flesh-and-blood existence for himself and his loved ones in the rotting remains of human society years after most people have uploaded themselves (“Staying Behind”). There is also some charm in the title tale, a fantasy stand-alone concerning a young woman snatched from her home and trained as a supernaturally powered assassin who retains a stubborn desire to seek her own path in life.

A mixed bag of stories: some tired but several capable of poetically piercing the heart.

Pub Date: Feb. 25, 2020

ISBN: 978-1-982134-03-7

Page Count: 432

Publisher: Saga/Simon & Schuster

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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THE MOONS OF JUPITER

In Lives of Girls and Women and The Beggar Maid (the Flo and Rose stories), Canadian short-story writer Munro drew unusual strength and sharpness from the vivid particulars of growing-up with—and growing out from—a stifling yet intense Canadian background. Here, though a few of these eleven new stories reach back to that core material effectively, the focus is looser, the specifics are less arresting, and Munro's alter-egos have moved on to a real yet not-always-compelling dilemma: over 40, long-divorced, children grown, these women waver "on the edge of caring and not caring"—about men, love, sex. In "Dulse," an editor/poet vacations alone, away from a troubled affair—and is confronted by sensuality on the one hand and the "lovely, durable shelter" of celibate retreat on the other. Two other stories feature the hurt and compromise involved in "casual" affairs—casual for the man, perhaps, less so for the woman. And in "Labor Day Dinner," the divorced woman is trying again, but with a sometimes-cruel man ("Your armpits are flabby," he says) whose love must be periodically revived by her displays of (unfeigned) indifference. Still, if these studies of to-care-or-not-to-care uneasiness lack the vigor of earlier Munro (at their weakest they're reminiscent of Alice Adams), a few other pieces are reassuringly full-blooded: "The Turkey Season," about a teenage girl who takes a part-time job as a turkey-gutter and learns some thorny first lessons about unrequited love; the title story, in which a woman's trip to the planetarium illuminates her turmoil (a dying father, a rejecting daughter) with metaphor; wonderful, resonant reminiscences about the contrasting spinsters on both sides of a family. And Munro's versatility is on display in other variations on the caring/not-caring tension—between two aging brothers, between two octogenarians in a nursing-home. Only one story here, in fact, is second-rate ("Accident," an unshapely parable of adultery, guilt, and Fate); Munro's lean, graceful narrative skills are firmly demonstrated throughout. But the special passion and unique territory of her previous collections are only intermittently evident here—making this something of a let-down for Munro admirers.

Pub Date: Feb. 1, 1982

ISBN: 0679732705

Page Count: 256

Publisher: Knopf

Review Posted Online: Oct. 1, 2011

Kirkus Reviews Issue: Feb. 1, 1982

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