by E. Annie Proulx ‧ RELEASE DATE: June 1, 1996
Proulx's third novel, and first since the spectacular success of her Pulitzer—winning The Shipping News (1993), is a panoramic mosaic of the immigrant experience in 20th century America that confirms her oft-noted similarity to Steinbeck—and offers the most comprehensive survey of working-class life since Dos Passos's U.S.A. trilogy. It begins in 1890 with the passage to "La Merica" of a Sicilian accordion maker and his small son, and their ordeal in New Orleans, where the (nameless) father finds work on the docks and meets a violent fate that will become the pattern engulfing virtually all of the story's successive characters. Proulx then telescopes the lives of those into whose hands the Sicilian's button accordion passes—whether it's given, sold, or stolen—through the next hundred years. Thus we observe the mingled passion for music and brute violence of a German immigrant family in North Dakota; a brawling Acadian clan and its Cajun relations; the Polish Przbyszes of Chicago; and many others. The sheer number of varied and vivid characters created, and the specifics of their lives, are enough to make this one of the most accomplished American novels of recent years. Proulx's angular, image-filled prose is tuned down a notch or two here; the demands imposed by the book's staggering content obviously required that it be somewhat more conventionally expository. The real fire is in her tone-perfect dialogue. Some may object to what seems an unrealistic profusion of melodramatic incident. But surely Proulx's point is that America's underclass—particularly its non-native one—is especially vulnerable and (here we see her daring) prone to angry confrontation and early death. She faces it unflinchingly, and the results are grim, depressing, and memorable. The popular-literary audience that loved The Shipping News will devour this big novel as well.
Pub Date: June 1, 1996
ISBN: 0-684-19548-8
Page Count: 384
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1996
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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