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NOT A DAY GOES BY

Big-hearted, simple-minded tosh that makes Waiting to Exhale look like Anna Karenina.

Bestselling Harris (Abide with Me, 1999, etc.) returns with an inspirational loves-me-not that reads like a trash-talking Magnificent Obsession.

The champagne is cooling, the flowers are cut, but sexy sports agent John Basil Henderson is phoning his fiancée's opulent hotel suite to say he isn't going to marry diva Yancey Harrington Braxton after all. Why not? That's the slender hook for this tart little fairy tale that turns out to be just too well turned-out (via countless details re fashions, decor, and the characters' perfect dimensions) to be true. Only a few months ago, when he popped the question to Yancey in front of a hushed opening-night audience in the Las Vegas production of Chicago she'd just joined as the headliner, Basil, his passion only fanned by bout after bout of supercharged loving, was in heaven. But now a whiff of mistrust has him tapping his beloved's phone and finding out all sorts of stuff he'd probably have rested easier between Yancey's sweet thighs without knowing. Has he been put off by the way she keeps stiffing him for money? Has he had enough of her greedy, meddlesome mother Ava? Has he discovered the shameful secret from the past that's suddenly invaded her dressing room? Or has he just had enough of the pretense that marrying this fine woman will cure him of the bisexuality every black stud within whiffing distance keeps reminding him of? The problems are serious enough, but the cartoon characters and designer prose ("At that moment Basil's heart was filled with so much love for Yancey he thought it would push right through his light-green cotton stretch sweater") will keep you at a safe distance from every joy and sorrow.

Big-hearted, simple-minded tosh that makes Waiting to Exhale look like Anna Karenina.

Pub Date: July 18, 2000

ISBN: 0-385-49824-1

Page Count: 208

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2000

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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HOMEPORT

To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.

Pub Date: March 23, 1998

ISBN: 0-399-14387-4

Page Count: 464

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1998

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