All that is good and all that troubles African-American life weaves through the late bestselling author Harris' (In My Father's House, 2010, etc.) final novel, composed in collaboration with Johnson (The Million Dollar Demise, 2009, etc.).
Cobi Winslow is a hard-charging state's attorney in Chicago, the adopted son of a wealthy manufacturer of African-American hair-care products. But Cobi's life changes dramatically after his parents are killed in a plane crash. He is left guilty and confused, having learned only days before the accident that he has a twin brother, a child not adopted because his father only wanted one son. Cobi's relationship with his father had been troubled since his father discovered Cobi in a homosexual tryst with a high-school classmate. Now in love with a local politician, Cobi remains closeted. Cobi soon learns his father's will has a condition. He will inherit millions in stock and trust-fund money only if Cobi marries before he turns 34. The stock in limbo is essential to maintain family control, as Cobi's sister, Sissy, a business whiz and interim CEO, discovers. Sissy hatches a plan to arrange a marriage for Cobi, but Cobi is focused on finding his twin and, deus ex machina, Cobi stumbles on his brother, Eric, while doing legal work at a prison where Eric is finishing a sentence. Much to Sissy's dismay, Cobi invites Eric to live with him, but that doesn't stop Sissy from adding a marriage candidate to the household, Austen Greer, a realtor in financial straits. The narrative moves quickly, but the characters and setting seem stereotypical. The Winslows move in a prosperous, influential and educated African-American social milieu. There's much mention of skin tone, brand names and trendy restaurants. Conversely, Eric, and his prison friend, Blac, the catalyst for the story's conclusion, are poorly educated, involved with drugs or products of a failed system. Chapters are short, many presented in the first-person from Cobi's point of view, and there's a conclusion with a surprising twist, albeit one that leaves a plot point adrift. Sure to appeal to Harris fans.
Pub Date: June 7, 2011
ISBN: 978-1-4391-7809-6
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: May 19, 2011
Kirkus Reviews Issue: June 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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