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NO ONE IN THE WORLD

All that is good and all that troubles African-American life weaves through the late bestselling author Harris' (In My Father's House, 2010, etc.) final novel, composed in collaboration with Johnson (The Million Dollar Demise, 2009, etc.).

Cobi Winslow is a hard-charging state's attorney in Chicago, the adopted son of a wealthy manufacturer of African-American hair-care products. But Cobi's life changes dramatically after his parents are killed in a plane crash. He is left guilty and confused, having learned only days before the accident that he has a twin brother, a child not adopted because his father only wanted one son. Cobi's relationship with his father had been troubled since his father discovered Cobi in a homosexual tryst with a high-school classmate. Now in love with a local politician, Cobi remains closeted. Cobi soon learns his father's will has a condition. He will inherit millions in stock and trust-fund money only if Cobi marries before he turns 34. The stock in limbo is essential to maintain family control, as Cobi's sister, Sissy, a business whiz and interim CEO, discovers. Sissy hatches a plan to arrange a marriage for Cobi, but Cobi is focused on finding his twin and, deus ex machina, Cobi stumbles on his brother, Eric, while doing legal work at a prison where Eric is finishing a sentence. Much to Sissy's dismay, Cobi invites Eric to live with him, but that doesn't stop Sissy from adding a marriage candidate to the household, Austen Greer, a realtor in financial straits. The narrative moves quickly, but the characters and setting seem stereotypical. The Winslows move in a prosperous, influential and educated African-American social milieu. There's much mention of skin tone, brand names and trendy restaurants. Conversely, Eric, and his prison friend, Blac, the catalyst for the story's conclusion, are poorly educated, involved with drugs or products of a failed system. Chapters are short, many presented in the first-person from Cobi's point of view, and there's a conclusion with a surprising twist, albeit one that leaves a plot point adrift. Sure to appeal to Harris fans.

 

Pub Date: June 7, 2011

ISBN: 978-1-4391-7809-6

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 19, 2011

Kirkus Reviews Issue: June 1, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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