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IN MY FATHER’S HOUSE

A sudsy melodrama, to be sure, but one that offers a rare glimpse into the world of gay black men and the challenges they...

A posthumous novel from Harris (Mama Dearest, 2009, etc.), about gay black men seeking acceptance.

At the beginning, Bentley Dean III, scion to a wealthy black Detroit family, breaks off his engagement with the very suitable Kim in order to live an authentic life. And for Bentley that means out of the closet and in a public relationship with his lover Warren. Five years later Bentley is in Miami, disinherited by his homophobic father, dumped by Warren, who refuses to identify as gay, but nonetheless happy to be himself. He and his business partner Alex own an Afro-centric modeling agency (she handles the women, Bentley happily handles the men’s side, which offers the occasional midday treat). But the agency has seen better times; the economy is in free-fall just as the Obama election is coming up. Financial worries force Bentley to book a suspicious modeling assignment—a request for gay-friendly eye candy for a private party. Bentley is assured he won’t be inadvertently pimping out his models, but when he arrives at the all-male event, he suspects that he’ll regret the night. He brings along Jah, an 18 year old that Bentley found in foster care and has mentored over the years. Jah, now in college with noble plans, catches the eye of the host, Seth Sinclair. Married with kids, Seth is a Hollywood megastar with a secret penchant for boys and control. Jah soon gets caught in Seth’s dangerous web, and Bentley is wracked with guilt. Meanwhile, Warren and Bentley reconnect, though Bentley, still in love with Warren, suspects the man hasn’t changed and will always live the double life. All these men can’t compete with the one man Bentley wants back in his life—his father. The best of friends until he came out, Bentley misses his old man and is afraid one day it may be too late for a reconciliation.

A sudsy melodrama, to be sure, but one that offers a rare glimpse into the world of gay black men and the challenges they face.

Pub Date: June 1, 2010

ISBN: 978-0-312-54191-0

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Sept. 22, 2010

Kirkus Reviews Issue: May 1, 2010

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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