A novel entry into the world of teenage fantasy that ultimately unfolds into a truly epic saga.



From debut author Barr comes an urban-fantasy novel about an adolescent boy on the cusp of mysterious change and the strange town within which he seeks refuge.

As a young man in Chicago, Conor shares an apartment with his mother: “They weren’t well off, but they weren’t dirt poor either.” The boy is handy with a tin whistle and makes a little extra money playing in a local Irish bar as his mother slowly dies of cancer. One night, he meets a stranger who informs him that he, Conor, is one of the “Dark ones.” Without supplying any further details, the stranger then proceeds to bite Conor on the hand and vanish into the Chicago River. Afterward, a series of events, including the death of Conor’s mother and a letter from an obscure aunt, brings the boy to the small town of Tinker’s Grove, Wisconsin. Arriving with a severe fever, he’s soon whisked to the local monastery with the aid of friendly townspeople, who have a chocolate Labrador retriever named Troubles. As the man in charge of the monastery explains to the local physician, Brother Luke, “What ails this boy is beyond the power of your medicine.” After a bizarre occurrence involving wild animals, a swirling fog, and an Indian burial mound, Conor recovers from his illness, but he’s never quite the same. The novel expands to include a complex affair that involves the river-dwelling creature Piasa, “the Devourer of Souls,” and ancient beliefs, showing that a lot can happen in a seemingly quaint little Midwestern town. Full of folklore and charm, the story is an inviting mix of the fantastic, the innocent, and the altogether sinister. Readers are unlikely to forget the ever-present Troubles, to whom Conor remarks later in the book, “wherever we are is different from where we’ve been.” The book does hit its share of speed bumps, though, as it’s dotted with flat declarations (“Don’t you see, Conor has to accept who he is,” one character explains, rather obviously). All in all, however, the book avoids the clichés of the genre while providing a swift, spiraling journey.

A novel entry into the world of teenage fantasy that ultimately unfolds into a truly epic saga.

Pub Date: Oct. 8, 2012

ISBN: 978-1-937387-66-2

Page Count: 570

Publisher: CreateSpace

Review Posted Online: Sept. 1, 2015

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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