A sword-and-sorcery yarn replete with magic, steel, mystery and mythos that will please genre addicts and likely earn a...
Rappaport’s (Secrets of the Undercity, 2011) fantasy epic chronicles the misadventures of wizards and warriors in an era of high adventure.
Toth, a dogged necromancer (“the world’s first,” he says), is an innovator who claims to have discovered a new genre of sorcery, but his passion sometimes blinds him to propriety. At a mourning ceremony, for example, he immediately tries to get the dead man’s bones to use in his magic—although, when confronted by the family, he regrets his insensitivity. Within the genre, necromancers, who raise or communicate with the dead, are often caricatures, but in this novel, Rappaport renders his heroes as likable men in unsympathetic occupations. At one point, in a humorous parody of academic rigidity, Toth presents his findings to a surprisingly skeptical Wizard Council; they just won’t buy that it’s genuine necromancy. The intellectual Toth contrasts strongly with Senfra, a gold-grubbing militant. He’s not without a soul, but the nature of his work demands a certain lack of pity—and generates an impressive wake of blood and bodies. Despite his fearsomeness, he’s eventually bested by an Amazon hellbent on revenge, and that defeat drives him out of his home. As Toth investigates his new magic, and those who would use it for evil, Senfra escapes to his island lair. Predictably, they meet and must eventually work together to defeat the evil sorcerer Hisvii in an engaging adventure. Often in fantasy, swordplay gets lost in a sea of clunky explication, but not here: Characters slice, parry, spell and disarm in prose that renders the confrontations not only believable, but visible. The same goes for the characters: Toth is obsessed with the noble pursuit of the truth—it just happens to require dead bodies—and Senfra seems to be working toward a happy retirement from pillaging. It’s a fantastic world, to be sure, but populated by human beings.
A sword-and-sorcery yarn replete with magic, steel, mystery and mythos that will please genre addicts and likely earn a broad readership.Pub Date: Sept. 1, 2012
ISBN: 978-0978939359
Page Count: 314
Publisher: Owl King Publishing
Review Posted Online: May 10, 2013
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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