Trinidadian writer Lovelace (The Wine of Astonishment, 1984, etc.) returns after a long hiatus with a tale that starts out as an affecting Caribbean version of It's A Wonderful Life, then disappointingly turns into a flat riff on race and the past. Alford George, the youngest son of a poor Trinidadian farm worker, is a slow starter. He doesn't speak until he's six, and that's only after his mother, fearing she's being punished for neglecting her African roots, consults a traditional healer. Later, Alford dreams of leaving Trinidad and going to England, where so many islanders head to make better lives. England is for him ``more than a place,'' it is ``a mission, a Sacred Order that brought him into meaning, into Life,'' and he systematically begins to prepare himself to emigrate. His early school years, however, are not propitious: He is neither a good student nor an athlete. But Alford perseveres, studying the dictionary, listening to the BBC, running errands for teachers, and becoming an umpire. By his 20s, he's a respected schoolteacher, able to keep order and inspire children, but his undimmed dream of leaving the island is repeatedly deferred as he gives his earnings to his father to build a house, then is drawn into local controversies. Appalled by an educational system that neglects most of its students, he eventually mounts a hunger strike in the capital to draw attention to the problem. Soon Alford's courted by politicians who encourage him to stand for parliament. And it's here that the story begins to lose its charm and vigor: Various voices, including those of the descendants of Asian indentured laborers, white planters, and slaves, break into the narrative to tell their own stories, diluting the novel's impact. Though Alford realizes that his mission in life is in fact to make life better on his island, his epiphany has been greatly diminished. An evocative story that tries too hard.
Pub Date: March 10, 1997
ISBN: 0-89255-226-3
Page Count: 260
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1997
SEEN & HEARD
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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