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KIRIN RISE

THE CAST OF SHADOWS

An ambitious, thoughtful debut that needs additional focus.

Cruz’s action/fantasy debut sees a young woman take on an entrenched, corrupt league of mixed martial arts fighters.

In 2032, Kirin Rise is a 19-year-old photographer living in Chicago. She’s also a student of the rogue martial art gung fu, which isn’t sanctioned by the United Federation of Mixed Fighting. With the country’s middle class nearly abolished, the federation’s brutal entertainment empire helps people vent their frustrations and win some quick cash. One Saturday night, the undersized Kirin decides to fight in a match open to so-called amateurs—and defeats her opponent with one punch! From then on, she’s a celebrity who must navigate the chaotic world of fans and media exposure. Her former teacher Sifu contacts her, wondering why she has upset her tranquil life. Kirin explains that she’s taking a stand against the complacency that poisons the nation. Everything changes, however, when the federation approaches her to officially join. Does she dare enter the system she loathes, even if it gets her access to its president, Jacob Thorne? She’d also have to survive the UFMF’s deadly endgame, full of the most savage fighters, known as the DOME. The novel’s tone seems to be against mixed fighting; as Kirin opines, “Americans lack the patience and attention span to develop true skill...what they’ve done is fast food the hell out of martial arts.” The best moments in the narrative focus on key elements that genuine martial artists can appreciate; they “stand and walk differently,” for example, because they work on their centers of gravity. But too many flashbacks and character-building vignettes distract as the tale progresses. The novel also casually broaches hot-button topics like gun ownership and reality television without fully exploring them. These elements become light décor on a future world that feels a lot like 2014 (aside from a few imaginative gadgets). Langtiw’s Japanese manga–inspired illustrations are well-done but few in number.

An ambitious, thoughtful debut that needs additional focus.

Pub Date: Aug. 15, 2014

ISBN: 978-1496929662

Page Count: 482

Publisher: AuthorHouse

Review Posted Online: Oct. 20, 2014

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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