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CYBER WAR I

A smart, highly detailed entry in the techno-thriller genre.

Computer-security analysts stumble upon plans for a cyberstrike that could immobilize the United States in Mahoney’s debut thriller.

After a security breach involving user IDs, Cyber Business International’s investigators trace the source of the hack to one of its clients, the Arabian Nights Casino in Macau. Rob Warner, who leads CBI’s incident-response team, heads to the Asian territory to investigate. It turns out that Justin Peters, a CBI network administrator there, had been doing work for the casino when someone accessed his privileged user account and wreaked havoc. Rob, however, is suspicious of the casino’s director of cybersecurity operations, Edmund Ho; he may have a grudge against the casino that stems from his demotion after a cyberattack that crippled the local network by flooding it with traffic. Further investigation reveals other players, which leads CBI to predict a similar attack in the United States. But a larger conspiracy may be at play—which would explain why an assassin is targeting Rob. Mahoney’s acronym-laden technological jargon gives his novel an air of sophistication. For example, he intelligently defines terms such as “botnet” and “exploit kit” by context, generally via dialogue between Rob and others, such as Rob’s friend and colleague Bill Johnson. Myriad plot elements along the way keep the tale exciting, including the actions of an American spy and more than one hired killer and a Las Vegas–set final act in which many characters converge. Some oddly structured sentences slow the story down, though, as when Rob questions “flirting with guidelines, well ethics, shoot, the law, like he did in Macau.” The novel also includes little information about its protagonist’s personal life, although it’s abundantly clear that his job is putting a strain on his marriage.

A smart, highly detailed entry in the techno-thriller genre.

Pub Date: Nov. 26, 2016

ISBN: 978-1-5323-2588-5

Page Count: -

Publisher: Lobo Media

Review Posted Online: March 15, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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