Next book

JUSTICE MAKES A KILLING

A BOBBY EARL NOVEL

A thoroughly enjoyable page-turner.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

For-profit prisons lie at the center of this second legal thriller in a series featuring Los Angeles defense attorney Bobby Earl.

Rucker (The Inevitable Witness, 2017), a criminal defense lawyer who’s had some high-profile trials during his long career, introduced his fictional lawyer in his previous novel, which had a case involving a safecracker charged with killing a police officer. In his late 30s, Earl finds the high-stakes intensity of the courtroom to be addictive: “There was a hunger in him that only being a trial lawyer satisfied.” He aligns himself with the less-privileged in life, so 50-something Kate Carlson isn’t like his usual clients; she’s a partner in an LA law firm. She’s also a spokesperson for Proposition 53, a California ballot initiative that would take money from for-profit prisons to fund public schools. She’s been charged with murder for smuggling a gun and a map into Haywood State Prison to break out an inmate named Adam Hartman. The attempt was foiled, resulting in the death of Hartman and a guard, Travis Miller. Kate says that she was set up, and Earl is skeptical of her claim, but she presents him with a follow-the-money argument that might just be solid: Prop. 53 would take funding away from private prison corporations, from locals who depend on prison employment, and from the prison guards’ union, whose dues buy the political influence that keeps profits flowing—by, for example, passing longer sentencing laws. Still, proving a setup will be difficult, especially as his opponents play dirty and will stop at nothing to claim victory. That said, Earl is known for winning supposedly unwinnable cases. The novel’s plot is enjoyably complex, referencing contemporary issues that go beyond schools and prisons: “The big money, the fuck you money, is in housing illegals for the feds,” says the corporate counsel for the company that runs Haywood. Also, federal oversight could expose abuses in private prisons—something that Hartman and Kate could have brought to light if the escape had been successful. The classic courtroom drama at the heart of this story is perfectly orchestrated, and the seemingly impossible odds make Earl’s masterful handling of evidence, witnesses, opposing counsel, the jury, and the judge wonderfully satisfying to read. Rucker has a knack for explaining the minutiae of legal procedure clearly as he weaves them into the story. The novel also ratchets up suspense in several effective ways; for example, Kate’s enemies knock Earl out, drug him, and get him locked up on a 72-hour psychiatric hold from which he must escape while not alerting the media. Other sides of Earl’s character are seen in, for example, his naming of his hound dog; when the canine was a puppy, Earl kept proclaiming “’Henceforth, your name shall be...’” until “the only name to which the dog would respond was ‘Henceforth.’ ” The affection and loyalty of Earl’s team, including secretary Martha Sullivan, officemate/mentor James McManis, and investigator Arthur “Manny” Munoz, also subtly reveal his personal qualities.

A thoroughly enjoyable page-turner.

Pub Date: July 1, 2019

ISBN: 978-1-73291-390-5

Page Count: 255

Publisher: Chickadee Prince Books

Review Posted Online: Feb. 2, 2019

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:
Close Quickview