This novel certainly doesn’t skimp on twisty plot turns, but retains an understated, authentic approach to the law.
A Los Angeles lawyer defends a professional safecracker accused of murder in Rucker’s debut legal thriller.
Criminal defense attorney Bobby Earl gladly takes a case when the public defender is unavailable, especially after a judge assures him that he’ll be paid. Sydney Seabrooke is facing a murder charge, and evidence points to his presence at a Chinese restaurant where the body of LA cop Terry Horgan was found. Seabrooke professes his innocence, but the fact that he was at the scene of the crime in order to break into a safe doesn’t look good. But Earl is inclined to believe Seabrooke, who says he was pulling the job for bondsman Johnny Aradano in exchange for bail for an earlier, unrelated arrest. It also turns out that Horgan wasn’t an upstanding officer; although the cop didn’t own the restaurant, he did own the safe inside it, and Earl suspects that its contents—bulky stacks of cash—may have been the spoils of Horgan’s involvement with drug dealers. Before the trial begins, there’s a break-in at Earl’s office, and jailhouse snitch Jake “The Snake” Snyder claims that Seabrooke confessed to the murder. The attorney’s investigation into the seedy world of drugs provokes some dangerous people, but he still hopes to find a witness for the defense—or maybe even a killer. Rucker’s muted thriller steers clear of convention; there’s no glaring piece of evidence, for example, that guarantees that Earl will save his client. The story acknowledges its realism with humor, including nods to the TV series Law & Order (“most young women DA’s had chosen to emulate the female television prosecutors on ‘Law and Order,’ which meant exuding a toughness just short of announcing ‘mine are bigger than yours’ ”). Earl faces some other hurdles before and during the trial: he unintentionally irks television personality Thomas Glass (aka “The Thumb,” who has a knack for tipping scales of opinion one way or the other), and someone else threatens and takes a few shots at the lawyer. Overall, Earl’s a shrewd, worthy protagonist, surrounded by exceptional characters, including reliable investigator Manny Munoz and second-chair district attorney Samantha Price.
This novel certainly doesn’t skimp on twisty plot turns, but retains an understated, authentic approach to the law.Pub Date: May 1, 2017
ISBN: 978-0-9913274-7-8
Page Count: -
Publisher: Chickadee Prince Books
Review Posted Online: Oct. 24, 2016
Review Program: Kirkus Indie
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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