A cleverly plotted and deeply moving work that will likely have readers recommending it to their friends.
In Sundt’s (My Helsingfors: Andreas Larsson Bengstrom, 2014) Depression-era story, an adult orphan takes care of a younger one, and together, they take a trip to delve into their pasts.
Eleven-year-old John Culbertson’s father dies of a heart attack on their bleak farm in southern Illinois. Traumatized, the boy, who’s known as “Cully,” blindly and aimlessly hits the road. Along the way, Gunnar Anderson, known to all simply as “Doc,” stops his car and convinces the lad to come with him. Before long, they’re acting like father and son. Doc is a lonely widower, and Cully fills a void in his heart. Thirty years ago, when he was a child, Doc was sent west on an “orphan train”—part of a movement that aimed to relocate orphans in Eastern cities to Midwestern foster homes—and by hard work, he eventually got a college education and became a veterinarian. He has virtually no memory of his life before he was put on the train. Cully’s mother, Anna, left her husband and son and returned to her Connecticut hometown years ago. Now, she writes a long letter to both of them—not knowing that her husband’s dead. It contains a mysterious reference to the long-ago disappearance of her youngest brother, Augustus Jared. Doc sees Cully’s photo of Anna and begins to fall in love with her—but for various reasons, he soon begins to suspect that he might, in fact, be her long-lost brother. Fatefully, he says to Cully, “I think we need to go find your mother.” They finally track her down, and, of course, the boy is overjoyed at the reunion; meanwhile, Doc wrestles with his feelings while trying to discover the truth about his past. Sundt is a very impressive writer, and he doesn’t miss a step as he evokes the story’s time and place with vivid descriptions. Doc, in particular, is a wonderful creation who’s worth the price of admission all by himself; his care for Cully is simple and strong, and he also shows deep sensitivity. The book is structured as the two complementary diaries of Doc and Cully, and as a result, the text approaches metafiction at times, as when Doc writes, “There are things that happen beyond all intention and planning….If it were in a book, the reader would scoff at it.” Often, Doc’s and Cully’s entries will observe the same turn of events from their very different perspectives—Doc with maturity, and Cully with precocity. The narrative is bookended by commentaries by Augustus Strong II, Cully’s son, writing in the present day. It’s revealed that Augustus is a veterinarian—just like Doc was. The final mystery involves the Strong family graveyard, but Sundt has Augustus Strong II provide the envoi: “Some mysteries are not meant to be solved.” That said, the climax turns out to be a real shocker, leaving readers to ponder a lack of resolution.
A cleverly plotted and deeply moving work that will likely have readers recommending it to their friends.Pub Date: Nov. 12, 2012
ISBN: 978-1-4797-4197-7
Page Count: 212
Publisher: Xlibris
Review Posted Online: Aug. 22, 2018
Kirkus Reviews Issue: Oct. 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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